Pop Art Essay

1961-2

7 cm), MOMA” alt=”Gold Marilyn Monroe, 1962.
Silkscreen ink on synthetic polymer
paint on canvas, 6′ 11 1/4″ x
57″ (211.4 x 144.7 cm), MOMA”>
Silkscreen ink on synthetic polymer
paint on canvas, 6′ 11 1/4″ x
57″ (211.4 x 144.7 cm), MOMA

silkscreen on synthetic polymer paint on
canvas, 50.8 x 40.
6 cm (20 x 16 in.),
NG Washington

support (each): 2054 x 1448 x 20 mm, Tate

Oil on canvas, 6 ft 10 1/4 in x 4 ft 9 in
Whitney Museum of American Art, New York

and pencil on canvas, 213,4×208,3
cm private collection

serigraphy and aluminium paint on
canvas, 284,5×203,8 cm – private
collection

synthetic polymer paint
screenprinted onto canvas
415, p. 379
208.0 (h) x 91.
0 (w) cm, NG
Australia

Acrylic and silkscreen
enamel on canvas, 106 x 81
1/2 inches. Solomon R.
Guggenheim Museum

refabrication of 1964 project)
Commercial silkscreen inks on industrially
fabricated plywood box supports, Each:
20 x 20 x 17 in. (50.8 x 50.
8 x 43.2
cm), Allen Memorial Art Museum

1964, serigraph on
Bristol board, with
japan paper borders
50.
9 x 60.8 cm
Purchased 1973
National Gallery of
Canada

8 hours, 6 minutes (approx.
), MOMA

oil on canvas, 121.9 x
175.3 cm (48 x 69 in.)
NGA Washington

canvas, 68 x 80 in,
Yale University Art
Gallery, New
Haven

Enamel on plaster-soaked cloth on wire
55 x 39 1/4 x 5 1/2 in., Hirshhorn


Version,1966
acryllic and pencil on foam-filled
canvas with wood, cord, and
plaster, Hirshhorn Museum,
Washington, DC.

Tracks, 1969-74, Cor-Ten steel, steel,
aluminum, cast resin; painted with
polyurethane enamel, 23 ft. 6 in. x
24 ft.
11 in. x 10 ft. 11 in. (7.
2 x 7.6 x
3.3 m), Samuel F. B.
Morse College,
Yale University


with polyurethane enamel, 29 ft. 6 in. x 51 ft. 6 in.
x 13 ft. 6 in. (9 x
15.7 x 4.1 m), Minneapolis Sculpture Garden, Walker Art Center,
Minneapolis