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    The Attitude of Andy Warhol Essay

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    Warhol introduced society to a new kind of art that is now being agonized as real art, he pushed to boundaries and so called standards to the traditional ways. Whorl’s first major display of pushing the boundaries was in 1948 at an art show given by the Pittsburgh Associated Artists his painting that he submitted was titled The Broad Gave Me My Face but Can Pick My Own Nose, one judge thought it was excellent and another thought it was vulgar and coarse. It hung in the Direct’ section hut drew a huge crowd of admiring students.

    From that he felt that he was ready to take on the art scene in New York. Whorl’s approach to the modern way of art was mass production of everyday items. He was very successful as a commercial artist but was not considered a Dread’ artist, Andy wanted his art to look impersonal and mechanical. He discovered the use to silkscreen and how it produced slight mistakes and unevenness in his repetitive style of art. He produced his most famous pieces of art after he found silkscreen, he was on an inspirational high.

    He produced the Campbell Soup Can series in 1962 and the more famous prints of Marilyn Monroe in 1964. To expand Ands finances, Fred Hughes encouraged him to concentrate on his paintings. Ands Swiss dealer, Bruno Fishmonger, thought Andy should Anita series on a world leader for an exhibit at his gallery. He suggested Albert Einstein. Andy thought that Chairman Mao, the dictator of China, would be a better choice. “I’ve been reading so much about Chinaware only picture they ever have is Of Mao Sedona.

    It’s great. It looks like a p. 117 price of pop) Bruno insisted that on one, especially Americans, would but them, since Mao was a Widely hated communist. As usual Andy stuck to his instincts and set out to silkscreen a set of prints, line drawings, and paintings of the Chinese leader. Mao symbolized power over the lives Of billions Of people. Although. F Andy had lived in communist China during the Cultural Revelation, he most likely would have been imprisoned.

    Mao suppressed creativity, especially in the arts, But Andy felt sure that capitalist American collectors would find the images of Chairman Mao, both alien and familiar at the same time, irresistible, Based on the official photograph of Mao, the portraits were done in a freer brushstroke than previous paintings, with a looser background to color over which the image was printed, guy adding lines around the face for emphasis, Warhol tried to make Mao as glamorous as his portraits to Marilyn. He also reduced a series of Mao wallpaper similar to the Cow Wallpaper at Galleria Lean Assonated, Paris in 1365.

    Warhol emphasized the hand-painted part of his work, stressed the brush stoke at the cost of the printing technique, by partially integrating oil painting into his silkscreen pictures and played down the mechanical effect. But the subject of this series of portraits was taken from the official photograph print of the almighty Para leader, which hung on every Chinese wall. But the studies differ from one another in color as well as in compositions and the selection of detail. By means of a lighter colored aground and the contrast Of colors generates a kind Of halo.

    This essay was written by a fellow student. You may use it as a guide or sample for writing your own paper, but remember to cite it correctly. Don’t submit it as your own as it will be considered plagiarism.

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    The Attitude of Andy Warhol Essay. (2018, May 20). Retrieved from

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