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Middle Ages and Renaissance – MUSC 1010

Giovanni Pierluigi da Palestrina’s:

-Music includes 104 masses and some 450 other sacred works.

-Music, like Desprez’s, was mostly secular.

-All answers are correct.

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-Career centered in Florence.

music includes 104 masses and some 450 other sacred works.
A new system of music notation that allowed composers to specify almost any rhythmical pattern had evolved by the:

-Late twelfth century.

-Late fourteenth century.

-Early fourteenth century.

-Early thirteenth century.

early fourteenth century.
Gregorian chant melodies tend to move:

-Only by perfect intervals.

-Infrequently, remaining on a single tone for long stretches.

-By leaps over a wide range of pitches.

-Stepwise within a narrow range of pitches.

stepwise within a narrow range of pitches.
An outstanding composer of the ars nova was:

-Guillaume de Machaut.

-Pope Gregory I.

-Leonin.

-Perotin.

Guillaume de Machaut.
Gregorian chant is seldom heard today because:

-It is too old-fashioned for modern services.

-It is very difficult to sing, and those who know how are dying out.

-The second Vatican Council of 1962-65 decreed the use of vernacular in church services.

-All answers are correct.

all answers are correct.
The Renaissance may be described as an age of:

-Curiosity and individualism.

-Exploration and adventure.

-The “rebirth” of human creativity.

-All answers are correct

all answers are correct.
The church modes were:

-Forms of religious ritual.

-Chalices to hold holy relics.

-The basic scales of western music during the Middle Ages.

-Only used in the music of the Catholic church.

the basic scaled of western music during the Middle Ages.
The first large body of secular songs that survives in decipherable notation was composed:

-From 590 to 604.

-During the fifteenth century.

-During the twelfth and thirteenth centuries.

-During the ninth century.

during the twelfth and thirteenth centuries.
The first body of secular songs that survives in decipherable notation was composed by:

-Wandering minstrels or jongleurs.

-Professional dancers and singers.

-Priests and monks.

-French nobles called troubadours and trouvères.

French nobles called troubadours and trouveres.
Beatriz de Dia was:

-Queen of southern France.

-One of a number of women troubadours.

-The wife of Guillaume IX, duke of Aquitaine.

-Abbess of Rupertsberg and a composer of choral music.

one of a number of women troubadours.
The texture of Renaissance music is chiefly:

-Monophonic.

-Homophonic.

-Polyphonic.

-Heterophonic.

polyphonic.
The first steps toward the development of polyphony were taken sometime between 700 and 900, when:

-Musicians composed new music to accompany dancing.

-Monks in monastery choirs began to add a second melodic line to Gregorian chant.

-The French nobles began to sing hunting songs together.

All answers are correct.

monks in monastery choirs began to add a second melodic line to Gregorian chant.
Which of the following statements is not true of Renaissance music?

-Renaissance composers often used word painting, a musical representation of specific poetic images.

-The Renaissance period is sometimes called “the golden age” of a cappella choral music.

-The texture of Renaissance music is chiefly polyphonic.

-Instrumental music became more important than vocal music during the Renaissance.

Instrumental music became more important than vocal music during the Renaissance.
Renaissance music sounds fuller than medieval music because:

-The bass register is used of the first time.

-Composers considered the harmonic effect of chords rather than superimposing one melody above another.

-All answers are correct.

-The typical choral piece has four, five, or six voice parts of nearly equal melodic interest.

all answers are correct.
Which of the following describes a difference between English and Italian madrigals?

-A lighter and more humorous tone.

-More complex melodies.

-The use of German folk songs.

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-More complex harmonies.

A lighter and more humorous tone.
Which of the following is not true of Gregorian chant?

-The melodies tend to move by step within a narrow range of pitches.

-It conveys a calm, otherworldly quality.

-Its rhythm is flexible, without meter.

-It is usually polyphonic in texture.

It is usually polyphonic in texture.
Gregorian chant:

-Is polyphonic in texture.

-Has no texture.

-Is homophonic in texture.

-Is monophonic in texture.

is monophonic in texture.
The term ars nova refers to:

-The new art of baroque painters.

-German music of the sixteenth century.

-Italian and French music of the fourteenth century.

-Paintings from the new world.

Italian and French music of the fourteenth century.
______________ is a term applied to medieval music that consists of Gregorian chant and one or more additional melodic lines.

-Jongleurs.

-Ostinato.

-Organum.

-Alleluia.

Organum.
The word Alleluia:

-Is a Latinized form of the Hebrew word hallelujah.

-All answers are correct.

-May be translated as “praise ye the Lord.”

-Is often used in Gregorian chants.

all answers are correct.
Josquin Desprez was a contemporary of:

-Hildegard of Bingen.

-Palestrina.

-Christopher Columbus.

-Perotin.

Christopher Columbus
The notation of troubadour and trouvère melodies does not indicate:

-Duration.

-Rhythm.

-All answers are correct.

-Pitch.

Rhythm.
Which of the following statements is not true?

-Medieval music theorists favored the use of triads, the basic consonant chords of music.

-Medieval music that consists of Gregorian chant and one or more additional melodic lines is called organum.

-Paris was the intellectual and artistic capitol of Europe during the late medieval period.

-Perotin was among the first known composers to write music with more than two voices.

Medieval music theorists favored the use of triads, the basic consonant chords of music.
Renaissance melodies are usually easy to sing because:

-There is a sharply defined beat.

-The melody often moves along a scale with few large leaps.

-The music is mostly homophonic.

-The level of musicianship in the Renaissance was not very high.

the melody often moves along a scale with few large leaps.
The Renaissance madrigal is a:

-Dancelike song for several solo voices.

-Polyphonic choral work set to a sacred Latin text.

-Piece for several solo voices set to a short poem, usually about love.

-Polyphonic choral composition made up of five sections.

piece for several solo voices set to a short poem, usually about love.
The movement in which the Catholic church sought to correct abuses and malpractices within its structure is known as:

-The Counter-Reformation.

-Protestantism.

-The Inquisition.

-The Reformation.

the Counter-Reformation.
Which of the following statements is not true of the medieval estampie?

-The manuscript contains only a single melodic line.

-It was intended for religious services.

-It is one of the earliest surviving pieces of instrumental music.

-The manuscript does not indicate which instrument should play the melody.

It was intended for religious services.
The two main forms of sacred Renaissance music are the mass and the:

-cantata.

-Kyrie.

-Madrigal.

-Motet.

motet.
The two types of services at which monks and nuns sang were:

-The office and the mass.

-The worship service and the praise service.

-The monastery and the convent.

-The salvation service and the holiness service.

the office and the mass.
The church modes are:

-different from the major and minor scales in that they consist of only five different tones.

-like the major and minor scales in that they consist of seven different tones.

-completely different from any other form of scale.

-different from the major and minor scales in that they consist of only six different tones.

like the major and minor scales in that they consist of seven different tones.
A leading English composer of lute songs was:

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-Thomas Weelkes.

-Josquin Desprez.

-John Dowland.

-Paul Hillier.

John Dowland.
A cappella refers to:

-Unaccompanied choral music.

-Men taking their hats off in church.

-Singing in a hushed manner.

-Any form of music appropriate for church use.

unaccompanied choral music.
The Renaissance motet is a:

-Polyphonic choral composition made up of five sections.

-Polyphonic choral work set to a sacred Latin text other than the ordinary of the mass.

-Dancelike song for several solo voices.

-Piece for several solo voices set to a short poem, usually about love.

polyphonic choral work set to a sacred Latin text other than the ordinary of the mass.
The development of the English madrigal can be traced to 1588 and considered a result of:

-A decree by Queen Elizabeth.

-The publication in London of a volume of translated Italian madrigals.

-The Spanish armada.

-The writings of Shakespeare.

the publication in London of a volume of translated Italian madrigals.
Secular music in the fourteenth century:

-Became more important than sacred music.

-Was not based on Gregorian chant.
included drinking songs and pieces in which bird calls, dog barks, and hunting shouts were imitated.

-All answers are correct.

all answers are correct.

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Middle Ages and Renaissance - MUSC 1010
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Giovanni Pierluigi da Palestrina's: -Music includes 104 masses and some 450 other sacred works. -Music, like Desprez's, was mostly secular. -All answers are correct. -Career centered in Florence. music includes 104 masses and some 450 other sacred works.
2017-10-12 07:36:32
Middle Ages and Renaissance - MUSC 1010
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