a. his work had a major influence on subsequent artists.
b. there are a limited number of his paintings.
c. he plays a large role in Western art history.
d. his paintings allow the viewer to feel a connection with the artist himself.
e. All of these answers are correct.
a. Renaissance
b. Middle Ages
c.
Baroque era
d. 19th century
e. 20th century
a. Claude Monet.
b. Vincent van Gogh.
c. Pablo Picasso.
d. Leonardo da Vinci.
e. Andy Warhol.
a. mudras.
b. iconography.
c. religious worship.
d. enlightenment.
e. deattribution.
a. the artist.
b. the audience.
c. the artist and the audience.
d. the gallery.
e. the museum.
a. Portrait
b. Pietà
c.
Vanitas
d. All of these are correct answers: Portrait, Pietà, and Vanitas.
e. None of these answers is correct.
a. form.
b. iconography.
c. theme.
d. purpose.
e. content.
a. the single candle is a sign of God’s presence.
b. the dog is a symbol of marital fidelity.
c. the red bed suggests a fertile marriage.
d. all of these are true: the single candle is a sign of God’s presence; the dog is a symbol of marital fidelity; and the red bed suggests a fertile marriage.
e. they still debate the work’s iconography.
a. painting.
b. architecture.
c. installation.
d. trompe l’oeil.
e. None of these answers is correct.
. body of work?
a. The artist’s art was outside of the realm of professional training.
b.
The artist was unknown until his death.
c. The work realized a spiritual vision.
d.
The complete body of work resides now in the Smithsonian.
e. The artist intended the work to be viewed by everyone as a message of redemption.
a.
physical experience of the art through touch.
b. a special kind of attention called disinterested contemplation.
c.
the formal analysis of the work.
d. any emotional response experienced by the viewer.
e.
None of these answers is correct.
a. the sitter was a wealthy woman.
b.
he was a famous artist.
c. the portrait was almost miraculously lifelike.
d.
all of these were the case.
e. None of these answers is correct.
What is art?
a.
Can we apply our concept of art to art of the past?
b. Can we apply our concept of art to art of different cultures?
c. Is there one correct standard for judging art?
d. All of these answers are correct.
a. Folk art
b. Naïve art
c. Intuitive art
d.
Outsider art
e. All of these answers are correct.
a. subject matter.
b. social context.
c. visual characteristics.
d. theme.
e. None of these answers is correct.
a. were studied by the upper class.
b. were schools of philosophy.
c. were related to the senses.
d. were felt to provide pleasure.
e. involved vision.
a. iconographic.
b. nonrepresentational.
c. stylized.
d. abstracted.
e. naturalistic.
a. calligraphy, mosaic, and metal forging
b. cabinetry, architecture, and calligraphy
c.
ceramics, weaving, and mosaic
d. painting, sculpture, and architecture
e. painting, cabinetry, and landscape gardening
a. life of its creator.
b. tradition it grows from and to which it responds.
c. audience for which it was made.
d. society in which it was circulated.
e. All of these answers are correct.
a. oil paintings.
b. photographs.
c. multiple silkscreen images.
d. All of these answers are correct.
e. None of these answers is correct.
a. fabric drapes over bodies.
b. recording effects of light and shadow on form.
c. inner structures of bodies.
d. All of these answers are correct.
e. None of these answers is correct.
a.the interpretation of a work of art is objective.
b. a work of art may fall into more than one theme.
c. it doesn’t make sense to compare art from different cultures.
d. All of these are the case.
e. None of these answers is correct.
a. Sainte-Chapelle
b.
Great Mosque at Córdoba
c. The Buddhas in Bamiyan, Afghanistan
d. All of these.
e.
None of these answers is correct.
a. they share a common theme of the sacred.
b.
their compositional structure is similar.
c. they both include symbolic hand gestures.
d.
they share the same iconography.
e. they were made in the same century.
a.
shamans.
b. bodhisattvas.
c.
pharaohs.
d. putti.
e.
geometric shapes only.
a. palaces.
b.
tombs.
c. libraries.
d.
fortresses.
e. None of these answers is correct.
a.
is based on fantasy.
b. depict aspects of everyday life.
c.
is addressed with color photography.
d. is framed in scenes of the natural world.
e.
provides for early examples of graphic design.
a. The Dream
b.
The Garden of Earthly Delights
c. The Scream
d. Radioactive Cats
e. Royal Tide II
a. Greeks
b. Romans
c. Egyptians
d.
Japanese
e. None of these answers is correct.
a. the Spanish Pavilion of the Paris World’s Fair.
b. a rally of the Allied Forces.
c. a celebration honoring General Francisco Franco.
d. the Reina Sofia Museum in Madrid.
e. None of these answers is correct.
a. French Revolution; Liberty Leading the People
b. Spanish Civil War; Guernica
c.
Holocaust; Altar to the Chases High School
d. history of slavery; Talking Skull
e. None of these is correct.
One such artist was Thomas Cole, who focused on an area of the Connecticut River to create:
a. Kyoto.
b. Spiral Jetty.
c. A Sudden Gust of Wind.
d. The Oxbow.
e. None of these is correct.
a. the view is fixed, as if standing on a mountain.
b. the painter’s primary concern is topographical accuracy.
c. the painter’s inscription situates him in a centuries-old tradition of painterly
and poetic meditations.
d. All of these are the case.
e. None of these answers is correct.
a. creation
b. worship
c.
contemplation
d. Destruction
e. None of these answers is correct.
a.
Painting
b. Renaissance
c. Mural
d. Art and nature
e.
Naturalistic
a. Afterlife
b. dream world
c.
pharaoh’s life
d. cosmos
e. None of these answers is correct.
a.
the draft.
b. the bombing of a civilian population.
c.
the atomic bomb.
d. concentration camps.
e.
environmental devastation.
a.
Jasper John
b. Pablo Picasso
c. Robert Rauschenberg
d. Andy Warhol
e.
Frank Stella
a. photography.
b. graphic design.
c. self-portraits.
d. performance art.
e. large-scale sculptures.
a.
film; painting
b. sculpture; photograph
c. photograph; print
d. building; sculpture
e.
collage; earthwork
a. Shunsho.
b. Buddha.
c. Hiroshige.
d. Sato.
e. Hokusai.
a.
Robert Rauschenberg
b. Pat Steir
c. Henri Rousseau
d. Edward Hopper
e.
None of these is correct.