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    Andy Warhol: Influence on the Twentieth Century Essay

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    With many new styles and beliefs arising during those eras, Whorl’s imagination would begin to produce ideas that were unheard of but revolutionary at the same time. American values ever altered and so Warhol saw a chance to highlight how easily people are influenced by the media and pop culture. He used many aspects of the new cultural society to create his art,pork. Warhol created his pieces by discovering What was popular, What stood out in modern art, and also something with standard American values. Warhol also took everyday Objects and turned them into pop art sensations.

    He realized that the majority of the United States went food shopping and decided to create a line of permanent products. This line Of Whorl’s included the very popular Brills boxes, price tags, the banana, and Coca-Cola bottles (Warwick). His creation of Coca Cola Bottles in 1962 became very popular. The bottles are in the everyday life of an American which made them very familiar with practically everyone. ‘Warhol used to identify the nature of the great American society, anonymous and consumerist, devoted to conformism and with a pride in unanimity, was the ubiquitous Coca Cola bottle- “(Cobblestone 12).

    To Warhol, a Coca Cola bottle seemed so simple but, also a universal icon in the United States, Often in media people seem picture perfect, but their lives are disasters behind the scenes. The death of very popular movie star Marilyn Monroe sparked Whorl’s interest to expose the realities of the pop culture. Monroe was a sex icon, fashion icon, as well as a cultural icon for the nineteen fifties and sixties. “The potent memory of the pathos and mystery of Marlin’s death with the long- lived speculation surrounding it elevated her to the greatest modern star status.

    Whorl’s paintings participated in the public consolidation” (Cobblestone 25). “Andy exaggerated the features of Marilyn Monroe that had made her beautiful” (Bolton 19). Also, the popularity of celebrities such as Jackie Kennedy and Elvis Presley soon began to sweep the nation (Warwick). Warhol saw these people as icons for the sixties and also saw them as an inspiration to what would become his new art works. Despite how happy, pretty, or ideal the celebrities seemed on television, they were disasters in reality and Warhol executed his exposure Of these secrets through pop art.

    After World War two had ended and the United States had entered the Vietnam War, the theme of mortality became less shocking to the population than in the years prior. With the acceptance of such things, Warhol decided to create a rise of brutal artwork that would exemplify the understanding of life and death. “His series of death and disaster included paintings of electric chairs, suicides, and car crashes” (Warwick). Warhol wanted the public to see what really goes on in society When people make destructive decisions. Warhol used powerful, hard-hitting picture that summed up the way society was becoming so used to images Of horror that they were no longer shocked by them” (Bolton 23). All of Whorl’s series had much to do with the changing fads of the current time period and how he showed the populace the realities Of society. There was a period in Whorl’s life when he was unable to produce ideas. The competition between fellow artists amplified and Warhol was in jeopardy of never fully launching his pop art career.

    Warhol knew that he had to create something radical enough to place him on top. While talking to a gallery owner, Muriel Lotto, he was introduced to the basis off majority of his artwork. Money and soup. Andy had paid Lotto for an idea that would make him famous in the future, Muriel stated, “The thing that means more to you and that you like more than anything else in the world is money. You should paint pictures of none (Shines 17), Also while talking, she told Warhol he should paint, “something you see every day and something that everybody would recognize.

    Something like a can of Campbell Soup” (Comments)_ A Campbell soup can something that everyone could acknowledge, and relate to. It was something that people saw and used in everyday life Warhol immediately realized that this could be the basis of a new series. The following day Warhol bought many Campbell Soup cans and began to stamp, print, draw, and paint The series of Reversals and Retrospective, featuring the Campbell Soup cans as well as money signs, was is most popular exhibition to date.

    The adoption of Merrill’s ideas for a mere fifty dollars soon became an investment of a lifetime for Warhol. Andy Warhol was very fascinated With the works of Truman Capote, a writer during the fifties. Some would say Warhol dollied Capote. Capote’s fiction fueled many Of Whorl’s sketches. Warhol wrote Capote fan mail, called him, and even went as far as to waiting outside his apartment everyday (Bourbon 31). Warhol invested much of his time in reading and recreating Trauma’s stories through art. Although very few people enjoyed his drawings of Truman Capote’s short stories,

    Warhol admired him very much. To create a new type of art during a time of discovery and trends in such a diverse country is a very big deal. But, to further create a lasting impact on society forty years from then is amazing. Andy Warhol has been called the “Prince of Pop” mostly for his profound achievements as a pop artist of the 20th century. His artwork is based off of the American society during the nineteen fifties to the seventies. Warhol sparked a revolution in art by developing Allots and Capote’s ideas. He will forever be remembered as an engineer for the basis of pop art.

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    Andy Warhol: Influence on the Twentieth Century Essay. (2018, May 18). Retrieved from https://artscolumbia.org/andy-warhol-influence-on-the-twentieth-century-48421/

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