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    HISTORY OF COSTUME: RENAISSANCE (1400-1600)

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    Men: 1400-1450 Doublet and hose
    Men: 1400-1450 Doublet and hose
    Italian Renaissance
    Women: 1400-1450 Houppelandes and fitted gowns
    Women: 1400-1450 Houppelandes and fitted gowns
    Italian Renaissance
    Men: 1450-1500 Doublet under skirted jacket and hose
    Men: 1450-1500 Doublet under skirted jacket and hose
    Italian Renaissance
    Women: 1450-1500 Gowns worn either as a single layer or two layers
    Women: 1450-1500 Gowns worn either as a single layer or two layers
    Italian Renaissance
    Men: (c. 1510) 1500-1550 Clothes grow wider, often decorated with puffs and slashes
    Men: (c. 1510) 1500-1550 Clothes grow wider, often decorated with puffs and slashes
    Italian Renaissance
    Women: 1500-1550 Gowns are full, have puffed sleeves; are decorated with puffs and slashes
    Women: 1500-1550 Gowns are full, have puffed sleeves; are decorated with puffs and slashes
    Italian Renaissance
    Men: 1550-1600 Silhouette widens, jackets take on rigid shape, puffs and slashes increase
    Men: 1550-1600 Silhouette widens, jackets take on rigid shape, puffs and slashes increase
    Italian Renaissance
    Women: late 1500s Spanish influences appear in more rigid bodices, V-shaped waistlines
    Women: late 1500s Spanish influences appear in more rigid bodices, V-shaped waistlines
    Italian Renaissance
    Very high platform-soled shoes worn by women throughout Italy and in northern Europe during the Renaissance; soles were especially high in Venice
    Very high platform-soled shoes worn by women throughout Italy and in northern Europe during the Renaissance; soles were especially high in Venice
    Chopines
    Codpiece
    Codpiece
    A pouch of fabric that was sewn into the crotch of hose to accommodate the genitals, make the hose fit properly, and enable men to relieve themselves. It closed with laces and first appeared during the Late Middle Ages. With added padding it became an obvious feature of men’s clothing; went out of use by the 17th century.
    What Fibers were woven primarily in Italy?
    Wool and Silk
    At this time, Italian dress and that of Northern Europe diverged. (p.190)
    the second half of the 15th century.
    These components distinguished Italian Renaissance styles. (p.190)
    Sleeves
    The most common combination of garments for women during the Italian Renaissance was…
    a chemise worn as an undergarment beneath a dress and an overdress on top
    ferroniere
    ferroniere
    a chain or band of metal or pearls worn across the forehead
    Doublet
    Doublet
    closely fitted, sleeveless garment with a padded front; originated as military dress. (p. 155)
    Trunk Hose
    Trunk Hose
    Breeches worn by men in the mid-16th century that were joined to nether stocks; ranged in size from very wide and padded to very small and worn with tight-fitting hose
    Canions
    Canions
    Extensions from the end of the trunk hose to the knees or slightly below, made in either the same or a contrasting color with the trunk hose or fastened to separate stockings at the bottom; used by men in the late 16th century
    Gown/Robe
    Fitted smoothly through the body with tight-fitting, long sleeves; opened down the front.
    mameluke sleeve
    mameluke sleeve
    a long sleeve of repeating puffs down its length, banded between the puffs
    Spanish Farthingale
    Spanish Farthingale
    (p. 220) provided support to the flared, cone-shaped skirt; a construction of whalebone, cane, or steel hoops graduated in size from the waist to the floor and sewn into a petticoat or underskirt.
    Garment constructed of whalebone, cane, or steel hoops graduated in size from the waist to the floor and sewn into a petticoat or underskirt that provided support to the flared, cone-shaped skirt; first appeared in the mid-16th century; also called verdugale
    French Farthingale
    French Farthingale
    Women’s undergarment used for shaping floor-length dresses; steel or cane spokes of the same diameter were fastened from a topmost hoop at the waistband down; also known as a wheel farthingale or drum farthingale
    Bum Roll
    Bum Roll
    Padded roll placed around the waist in order to give skirts greater width below the waist; popular in the late 16th century
    Ruff
    Ruff
    Wide, separate collar used during the second half of the 16th century and the first decades of the 17th century; often made of lace and stiffly starched
    Peascod Belly
    Peascod Belly
    Pronounced front of the doublet popular by 1570 that resembled the puffed-out chest of a peacock
    Duckbills
    Wide men’s shoes from the 16th century with decorations including slashing with puffs of fabric pulled through the openings; shape resembled the bill of a duck
    Slashing
    Cuts in the fabric through which an underlayer of contrasting colored fabric might be pulled; especially popular during the Renaissance Period
    Puffs
    Decorative device used on clothing of the Middle Ages in which small amounts of fabric in contrasting colors were pulled through slashes made in the outermost fabric layer
    Blackwork embroidery
    Blackwork embroidery
    a form of embroidery using black thread on white cloth
    Busk
    Busk
    A device made from a long, flat piece of wood or whalebone that was sewn into one or more casings in corsets of the early 16th century

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    HISTORY OF COSTUME: RENAISSANCE (1400-1600). (2017, Aug 28). Retrieved from https://artscolumbia.org/history-of-costume-renaissance-1400-1600-10569/

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