~A type of polyphony associated with Renaissance style
-Series can be referred to as “points of imitation”
-Applied to numerous motives within a single work
~Chordal texture (homophonic) results
-Delivers text clearly, attention drawn to top voice
-from Latin “punctus contra punctum” (note against note)
~Employed in madrigals, operas, oratorios
~Melodies/harmonies that include all note available within the octave
~Includes prayers, Bible readings, Holy Communion
~Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei
~”whole consort” – All instruments come from one family, ex. consort of viols
~”broken consort” – A mixed combination of instruments
~Varies greatly in size
~Six strings, fretted, played like modern cello
~smaller, lighter, less expensive, simpler than harpsichord
~English versions were rectangular, Italian and Flemish versions were all different shapes