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    History 2 : Renaissance General Terms

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    Continuous Imitation
    ~A motive or theme is passed from one voice to another
    ~A type of polyphony associated with Renaissance style
    -Series can be referred to as “points of imitation”
    -Applied to numerous motives within a single work
    Homorhythmic Texture
    ~One rhythm sung by all voices
    ~Chordal texture (homophonic) results
    -Delivers text clearly, attention drawn to top voice
    Modal Counterpoint
    ~Polyphonic texture based on modes
    -from Latin “punctus contra punctum” (note against note)
    Word Painting
    ~Music reflects text meaning
    ~Employed in madrigals, operas, oratorios
    Chromaticism
    ~Greek: “colour”
    ~Melodies/harmonies that include all note available within the octave
    Mass
    ~Most important service in the liturgy of the Roman Catholic Church
    ~Includes prayers, Bible readings, Holy Communion
    Mass Ordinary
    ~Unchanging prayers of the Mass
    ~Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei
    Consort of Instruments
    ~Renaissance term for instrumental ensemble
    ~”whole consort” – All instruments come from one family, ex. consort of viols
    ~”broken consort” – A mixed combination of instruments
    Viols
    ~Renaissance family of bowed string instruments
    ~Varies greatly in size
    Viola Da Gamba
    ~Instrument in the viol family
    ~Six strings, fretted, played like modern cello
    Virginal
    ~generic term used for all plucked keyboard instruments
    ~smaller, lighter, less expensive, simpler than harpsichord
    ~English versions were rectangular, Italian and Flemish versions were all different shapes

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    History 2 : Renaissance General Terms. (2017, Aug 31). Retrieved from https://artscolumbia.org/history-2-renaissance-general-terms-14632/

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