Immaculate Heart of Mary College Guenon City “Comparative Study of Indian Music and Filipino Music” Indian Music: Indian classical music is based on the ragas (“colors”), which are scales and melodies that provide the foundation for a performance. Unlike western classical music, that is deterministic, Indian classical music allows for a much greater degree of “personalization” of the performance, almost to the level of Jazz-like improvisation. Thus, each performance of a raga is different. The goal of the raga is to create a trance state, to broadcast a mood of ecstasy.
The main difference with western lassie music is that the Indian ragas are not “composed” by a composer, but were created via a lengthy evolutionary process over the centuries. Thus they do not represent mind of the composer but a universal idea of the world. They transmit not personal but impersonal emotion. Another difference is that Indian music is monadic, not polyphonic. Hindustan (North Indian) ragas are assigned to specific times of the day (or night) and to specific seasons. Many ragas share the same scale, and many ragas share the same melodic theme.
There are thousands of ragas, but six are noninsured fundamental: Bavaria, Manuals, Window, Dippy, Meg and Share. A raga is not necessarily instrumental, and, if vocal, it is not necessarily accompanied. But when it is accompanied by percussion (such as Tablas), the rhythm is often rather intricate because it is constructed from a combination of fundamental rhythmic patterns (or atlas). The main instrument of the ragas is the sitar, although historically the avian zither was at least equally important. Carnation (Southern Indian) ragas constitute one of the oldest systems of music in the world.
They are based on seven rhythmic cycles and 72 fundamental ragas. The founder of the Karakas school is considered to be Paranoid Dads (1494). Carnation music is mostly vocal and devotional in nature, and played with different instruments than Hindustan music (such as the murdering drum, the Chatham clay pot, the avian sitar as opposed to sitar, scrod, tambala and Tablas). The fundamental format of Carnation songs is the “karri”, which are usually set in the style of a raga (the raga serves as the melodic foundation).
The golden age of Carnation music was the age of Osama Astir, who died in 1827, of Djakarta, who died in 1847 and who composed the Penchant Kristin Comparative Study Music By thinkable Enthusiasm Disaster, who died in 1835 after composing the Kamala Invariants and the Navaho Kristin. The music of India includes multiple varieties of folk, popular, pop, classical music and R&B. Indian’s classical music tradition, including Carnation and Hindustan music, has a history spanning millennia and developed over several eras.
Music in India began as an integral part of socio-religious life and that Indian music is essentially melodic: sounds follow one another expressing an emotional state in an aesthetic unity. Two main traditions of classical music are Carnation music, found predominantly in the peninsular regions, and Hindustan music, found in the northern and central regions. Filipino Music: Examples: Awaiting Bambina Filipino children’s songs such as nursery rhymes in Toga Toga Folk Songs Toga Birthday Songs Toga Christmas Songs MGM Awaiting Panamas an Kantian tuning Paso!
Toga Love Songs Popular and Traditional Filipino Love Songs Patriotic Songs of the Philippines The Philippine National Anthem from the original Spanish poem, in English translation and in the official Toga / Filipino version currently sung in schools. Other patriotic songs popular during important political movements and events. Pop Songs MOM stands for ‘Original Filipino Music’ Filipino Songs Not in Toga Filipino songs that are in other Philippine languages such as Cuban, Windward, Oilcans, Boolean, Cabochon and Japanning Funny Toga Songs Music of the Philippines are performance arts composed in various genre and styles.
The music of the Philippines is a mixture of other Asian, European, Latin American, American, and indigenous influences. Traditional Music: The Harlan and Kinsman are lyrical songs popular in the Philippine Islands dating jack to the Spanish period. Harlan are traditional courtship songs in the Mexican- Spanish tradition based on the Hibernia rhythm while the Kinsman, which has pre-colonial origins from the Toga region, uses triple meter rhythm. Kinsman is also characterized by a minor key at the beginning and shifts to a major key in the second half. Its lyrics depict a romantic theme, usually portraying love, passion, or sadness.
In the sass Harlan and Kinsman became more mainstream musical styles led by performers such as Tang De la Ram, Jovial Funniest, Cinching Rosa, Sylvia La Tore and Ruben Toga. The Tinkling is a Philippine dance which involves two individual performers hitting bamboo poles, using them to beat, tap, and slide on the ground, and Fortran against each other in co-ordination with one or more dancers who steps over, and in between poles The Carrion’s (meaning loving or affectionate one), is a Philippine national dance from the Maria Clara suite of places the couple in romance scenario.
The dance is similar to the Garage Adaptation. The Carrion’s is accompanied with Hispanic music, and language. It is also related to Karachi, Amended and Grading in the Visas and Mindanao Area. The Randall is reformed on ensembles comprising mandolin instruments of various sizes called bandanna composed on the Iberian tradition. Other instruments including guitars, is also performed. Let is original to Spain.
Indian and Filipino Music: In every country we have our own tradition and styles in music. But both have different kind of songs like pop, rock, folk, etc. On our music now, it already has a mixture of other country music. In Indian music, some are influenced by the new kind of songs but they are still supporting their own kind of Music. Sometimes Indian music is religious, Philippine music is more on nature. Source: Google, book
