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    MU 120 ch. 57-60

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    During which decade did the Harlem Renaissance begin?
    1920s
    Which of the following was referred to as “the greatest Negro city in the world” during the 1920s?
    Harlem
    The Harlem Renaissance was inspired by a book of essays entitled:
    The New Negro
    The most important literary figure associated with the Harlem Renaissance was
    Langston Hughes
    Duke Ellington and Billie Holiday performed in Harlem at the:
    Cotton Club
    In his early years, William Grant Still was associated with which artistic movement?
    the Harlem Renaissance
    William Grant Still composed music in all of the following genres EXCEPT
    avant-garde electronic music
    How many movements make up Still’s Suite for Violin and Piano
    three
    The third movement of William Grant Still’s Suite for Violin and Piano was inspired by:
    a sculpture by Augusta Savage
    The third movement of William Grant Still’s Suite for Violin and Piano can best be described as
    bluesy
    George Gershwin first broke into the music business as a:
    song plugger
    George Gershwin is recognized as one of the first American composers to:
    incorporate African American blues and jazz styles into his composition
    Which of the following is NOT by George Gershwin?
    Afro-American symphony
    Which song is NOT by George Gershwin
    Alexander’s Ragtime Band
    Which types of works did George Gershwin compose?
    film scores, songs, and musicals (all of the above)
    Which of the following did NOT characterize the career of George Gershwin?
    he lived a long life and was a mentor to other young composers
    The premiere of Gershwin’s Rhapsody in Blue was conducted by:
    Paul Whiteman
    Which work did Gershwin compose in France?
    An American in Paris
    George Gershwin’s folk opera ________ was far ahead of its time
    Porgy and Bess
    Which of the following does NOT describe Gershwin’s Porgy and Bess?
    the music combines jazz with the modern techniques of schoenberg
    Gershwin’s Summertime suggests:
    an African American spiritual
    Gershwin’s Summertime is in ________ form.
    strophic
    The first great American composer of the twentieth century was
    Charles Ives
    Ives’s compositional style was
    very innovative for its time
    While composing in his spare time, Charles Ives made a living as a(n):
    insurance executive
    Which of the following statements about Charles Ives is NOT correct?
    his music was very popular
    For which work was Ives awarded the Pulitzer Prize?
    Symphony No. 3
    Which of the following does NOT characterize the music of Ives?
    consistent use of traditional forms
    Which of the following does NOT characterize Ives’s Country Band March?
    standard march form
    Which of the following tunes is NOT included in Ives’s Country Band March?
    Jeanie with the Light Brown Hair
    Aaron Copland studied composition with:
    Nadia Boulanger
    Which of the following is NOT a ballet by Copland?
    Our Town
    Copland’s Billy the Kid is a(n):
    ballet
    In which musical style did Copland compose?
    twelve-tone technique, jazz, and neo-classical (all of the above)
    Copland composed Appalachian Spring for:
    Martha Graham
    Copland’s Appalachian Spring depicts:
    a wedding in the Appalachians
    Which of the following best describes the mood at the beginning of Copland’s Appalachian Spring?
    calm
    Copland’s Appalachian Spring quotes the early American tune
    Simple Gifts
    Section 7 of Copland’s Appalachian Spring is in ________ form.
    variation
    When was Yankee Doodle composed?
    before the Revolutionary War
    Yankee Doodle remains the state song of:
    Connecticut
    How was Yankee Doodle used?
    to poke fun at the American army, to symbolize New England, and to include in patriotic compositions
    The music scene in early twentieth-century Mexico was strongly influenced by:
    Spanish music, Hispanic culture, and Amerindian culture (all of the above)
    During the “Aztec Renaissance,” composers sought to:
    suggest the character of native music
    Carlos Chávez was a noted:
    Mexican art-music composer
    Silvestre Revueltas’s compositional style is considered representative of
    mestizo realism
    During his career, Silvestre Revueltas was active in all of the following countries EXCEPT:
    Brazil
    Revueltas’s mature compositional style features:
    complex rhythms, including polyrhythms and ostinatos
    Which of the following is NOT a work by Silvestre Revueltas?
    El Salón México
    Federico García Lorca was a well known:
    writer
    Which of the following does NOT characterize Homage to Federico García Lorca?
    it is scored for full symphony orchestra
    Son is a Spanish-language term that refers to:
    a traditional song/dance of mexico
    Revueltas’s orchestration for Son is similar to that of:
    a mariachi ensemble
    Which of the following best describes the meter of Revueltas’s Son?
    shifting between triple and compound meters
    Carlos Chávez’s music attracted the attention of the American composer
    Aaron Copland
    The mariachi tradition originated in:
    Mexico
    Which of the following instruments would you NOT find in a standard mariachi band?
    clarinet

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    MU 120 ch. 57-60. (2017, Aug 29). Retrieved from https://artscolumbia.org/mu-120-ch-57-60-15379/

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