High Renaissance (+ Durer) Essay

Raphael. Italian. Madonna of the Meadow, 1505. High Renaissance. Raphael. Italian. School of Athens, 1512. High Renaissance. Raphael. Italian. Personification of Philosophy, above theSchool of Athens, 1512. High Renaissance. Raphael. Italian. Galatea, 1513. High Renaissance. Leonardo da Vinci, Italian. Self Portrait Drawing, Left. C. 1512—15. Vitruvian Man, Right. 1485--90 High Renaissance. Leonardo da Vinci, Italian. Last Supper, 1495-98. High Renaissance Leonardo da Vinci, Italian. Mona Lisa, 1503—05. High Renaissance Leonardo da Vinci, Italian. Madonna of the Rocks, 1483. High Renaissance Leonardo da Vinci. Italian. Drawing for the St Anne Altarpiece, 1505--07. High Renaissance. Michelangelo, Italian. Pieta, 1498—1500. High Renaissance. Michelangelo,...

Denotable was a Renaissance artist born in Florence, Italy. He was famous for his artwork in bas relief, a type of shadow relief sculpture. Mark Eocene I The Feast of Hero David I Equestrian Monument of Guatemala Judith and Holiness I Poetical was an Italian painter of the Early Renaissance. He hailed from Florence, Italy. Fortitude Adoration of the Magi The Birth of Venus I Primeval Costello Annunciation Augustine I Venus and Mars Mystical Nativity Temptation of Christ I Dad Vinci was someone who was skilled and knowledgeable in many, many subjects, including science, mathematics, music, and most importantly, art....

Michelangelo ceiling of the Sistine Chapel Raphael school of Athens Donatello colossal bronze statue Botticelli Birth of Venus Brughel Return of the hunters Brunelleschi sacrifice of Isaac Durer the promenade Brunelleschi dome on the cathedral of Florence Giotto Madonna and child Holbien the merchant Leonardo Da-Vinci Mona Lisa Jan Van-Eyck adoration of the lamb masaccio Expulsion from Eden Michelangelo David Bramante St. Peter's Basilica Ghiberti Statue of St. Matthew Durer Self Portrait at 28 Michelangelo Dome of St. Peter's Basilica Leonardo Da-Vinci The Last Supper Michelangelo Pieta

Giorgione, The Tempest; 1505 -pushes boundaries with subject matter: mysterious, elusive -"H" shape composition: no renaissance triangle here -organic forms, softness followed by hard geometry pattern -muted colorito Giorgione, Pastoral Concert; 1509 -muted tonal, colorito -tweaked renaissance pyramid (lady on left ruins it) -sexy: music suggests sex, she's holding a phallic flute Titian, Assumption of the Virgin; 1517 -altarpiece, puts titian on the map -3 tiers interlock, connect -red makes a stable triangle -raphael's sistine madonna turned up (more dynamic and dramatic) Titian, Madonna of the Pesaro Family; 1526 -"X" shape: madonna and child emphasize the diagonal -columns suggest continuation...

It may not be known to all that Raphael's Madonna di Foligno has a special interest to astronomers. It is, I believe, the only painting of any note which commemorates an astronomical event. This picture was painted by Raphael in 15 11, and placed in the Church of Ara-Cœli, as a votive offering from Sigismund Conti, secretary to Pope Julius II, for his miraculous escape from death by an aerolite. The picture was removed to the Convent of Fo- ligno in 1565 by a niece of Conti's, and was carried off by the French in 1792. It was returned in...

Michelangelo David 14'3" Michelangelo Cartoon for the Pieta Michelangelo The Pieta Michelangelo Sistine Chapel Leonardo da Vinci Da Vinci drawing Leonardo da Vinci Helicopter Leonardo da Vinci Oversized Crossbow Leonardo da Vinci Orinthopter Leonardo da Vinci Head of a Woman (Earth, amber and white lead on wood panel 24.7 x 21 cm 1508) Leonardo da Vinci Lady with an Ermine (Oil on walnut panel 54x39 cm c. 1490) Leonardo da Vinci The Virgin and Child with Saint Anne (Oil on wood panel 66x44 in. 1508-17) Leonardo da Vinci Mona Lisa (Oil on cottonwood 30 x 20 in. 1503-1516) Leonardo da...

In chapter 22, we cover the High and Late Renaissance within the time period of the 1495 through the 1600’s. Which really included some of the most famous artists and paintings still known to man today. The artists that are still most famous today for their work done back then are Leonardo, Raphael, Donatello and Michelangelo. Other artists and notables we learned about in this chapter include Titian, Palladio, Vasari, Tintoretto, Veronese, Bronzino, Parmigianino and Sofonisba Anguissola. Let’s start from the period 1495. Leonardo da Vinci, also known as “The Renaissance Man. He wasn’t just an artist he was infatuated...

naturalism depicts the visible world exactly as objects appear to the human eye abstraction alters the way objects appear in space cimabue v giotto cimabue uses abstraction in the madonna painting whereas giotto uses naturalism ghiberti Gates of Paradise brunelleschi Florence Cathedral botticelli stretched out bodies, really into hair -Birth of Venus(SHELL) -Primavera(venus in the woods with the 3 grace's -venus and mars(painted on wood panel) marino ficino drew parallels between the virgin mary and venus spalliera painted headboard, panel of a chest, or back of wooden bench Leonardo Da Vinci loves anatomy. -vetruvian man -the last supper -mona lisa...

Chiaroscuro From the Italian for "light-dark"; an artistic technique in which subtle graduations of value create the illusion of rounded, three-dimensional forms in space; also called modeling Glaze In painting, a semitransparent coating on a painted surface that provides a glassy or glossy finish Horizon Line In linear perspective, the imaginary line (frequently where the earth seems to meet the sky) along which converging lines meet; also see vanishing point Iconography A set of conventional meanings attached to images; as an artistic approach, representation or illustration that uses the visual conventions and symbols of culture. Also, the study of visual...

Lamentation Period: Early Renaissance (1300 CE) Artist: Giotto Patron: Enrico Scrovegni Form: stage space, layering for impression of depth, individualized faces seen through example such as knitted brows, emphasis on the emotional aspect depicting sorrow and loss, vibrant use of color, gold flat halos present Function: of the Scrovegni Chapel alongside other scenes of Christ's life, beautifies chapel, personal propaganda and reputation Content: Through this Lamentation scene, Christ has been taken off the cross, where surrounding others mourn and grieve over his body. Evidently, these mourners are reacting to his death. Context: This piece exceedingly portrays and conveys the emotional...