Introduction
Completion is William Golding portrait new “Lord of the Flies” abandons, the indelible mark readers’ on minds, inviting a reflection on complications of human nature, civilization, and bear capacity for darkness. Culmination of story presented a haunting tableau, that serves as a lens through that, carefully to investigate allegoric and thematic layers that weave during history. This essay does research of completion of “God Мух,” exposing his symbolics, themes, and values.
The Confrontation with the Beast
As the novel reaches its climax, the boys, who have descended into savagery, confront the fearsome “beast” atop the mountain. This pivotal moment crystallizes the overarching theme of the primal instincts that lie dormant within all humans. The “beast” represents not only the external terror but also the inner darkness that dwells within each character, reflecting the innate struggle between civilization and chaos.
The Savage Ritual and Simon’s Tragic Fate
The culminating scene of the boys’ frenzied dance, culminating in the brutal murder of Simon, showcases the profound consequences of unchecked impulses. Simon’s death symbolizes the tragic collision between reason and primal urges, illuminating the fragile balance that sustains human civilization. The distorted perception of Simon as the “beast” underscores the malleability of truth and morality in the face of fear and hysteria.
The Naval Officer’s Arrival
The arrival of the naval officer in the aftermath of Simon’s death introduces an external force of authority, offering a stark contrast to the boys’ descent into savagery. However, the officer’s bemused response to the boys’ behavior highlights the superficiality of civilization and its potential fragility. This juxtaposition underscores the novel’s exploration of the thin veneer that separates societal norms from primal instincts.
The Symbolism of the Fire
Throughout the novel, the signal fire serves as a potent symbol of the boys’ connection to civilization and their potential for rescue. In the ending, the boys’ failure to maintain the fire mirrors their descent into savagery and the subsequent loss of their link to the outside world. The extinguishing of the fire signifies the extinguishing of hope and rationality, reinforcing the novel’s underlying themes of human nature and the fragility of order.
The Closing Image: The Lord of the Flies
The concluding image of the severed sow’s head impaled on a stake, encircled by flies, epitomizes the titular “Lord of the Flies.” This visceral tableau embodies the notion of the “beast” as a manifestation of the darkness that resides within the boys themselves. The image evokes a sense of primal horror while highlighting the cyclic nature of violence and the inevitable entanglement of innocence and corruption.
Conclusion
An upshot of “Lord of the Flies” is culmination of frequent visit and thought-provoking of the tangled themes of short story and allegoric layers. Finishing moments, from contrasting with a beast to arrival of naval officer, encapsulate a human capacity both well and pour out, offering an absolute comment on delicate balance between civilization and primitive instincts.
Vividness of fire and sculpture submerged by a symbol “Lord of the Flies” serves to the sharp reminders of eternal fight between an order and chaos, abandoning readers with a deep reflection on complications of human nature.
References:
- Golding, William. “Lord of the Flies.” Faber & Faber, 1954.
- Baker, James R., and Arthur P. Zuckerman. “The Outer, Inner, and Other Space in William Golding’s Lord of the Flies.” Children’s Literature Association Quarterly, vol. 14, no. 4, 1989, pp. 178-182.
- Bloom, Harold, ed. “William Golding’s Lord of the Flies.” Infobase Publishing, 2010.
- Kinkead-Weekes, Mark, and Ian Gregor. “William Golding: A Critical Study.” Faber & Faber, 1970.
- Sullivan, John R. “The Limits of Interpretation in Lord of the Flies.” PMLA, vol. 85, no. 4, 1970, pp. 789-798.
