On December 10, 1950, in Stockholm, Sweden, one of the greatest literary minds of the twentieth century, William Faulkner, presented his acceptance speech for the Nobel Prize. If one reads in between the lines of this acceptance speech, they can detect a certain message – more of a cry or plead – aimed directly to adolescent authors and writers, and that message is to be the voice of your own generation; write about things with true importance. This also means that authors should include heart, soul, spirit, and raw, truthful emotion into their writing. “Love and honor and pity and pride and compassion and sacrifice” (Faulkner) should all be frequently embraced – it is the duty of authors to do so. If these young and adolescent authors ignore this message and duty, the already endangered state of literature will continue to diminish until its unfortunate extinction.Order now
Jeannette Walls, author of The Glass Castle, has most definitely responded to Faulkner’s outreach, and responded very strongly at that. She has more than accomplished her duty as a writer. Her memoir The Glass Castle is one of the most honest, raw, emotion and heart-filled pieces of literature ever to grace humanity. In this memoir, Walls uses many various rhetorical strategies to fulfill her duty as an author and embrace Faulkner’s message. Throughout the book, every range of emotion can be felt by the reader, due in large part to the expert use of Walls’ rhetorical strategies. These rhetorical strategies paint such vivid images that the reader can feel the sacrifice, the pity, and the love of Walls’ story as if they were standing alongside Jeannette herself.
Throughout the entire memoir, multiple actions of sacrifice can be found, and these instances are frequen. .d to share their deepest and most private moments with their audience members, and this in turn will create a genuine, quality story. When asked if Jeannette Walls has fulfilled the duty given to her by William Faulkner, one should not even come close to hesitating with their response. In The Glass Castle, Walls shares some of the most personal and emotion-evoking moments of her life, and they clearly include the essential characteristics of writing as defined by Faulkner. With the expert use of Walls rhetorical strategy, she makes the reader see, hear, feel, and sense the emotion as if it is occurring firsthand.
So, to conclude, Jeannette Walls has most definitely fulfilled Faulkner’s expectations of a writer by crafting a memoir stuffed with superb rhetorical strategies that thoroughly translates the events in Walls’ life to the readers in a very detailed manner.