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As I recently screened a video for my students of Robert Wilson’s celebrated Hamburg production of The Black Rider — I had seen a performance two summers ago at the Vienna Festival, where Wilson adapted it for Austrian television — I was reminded of what a loss it was for American audiences when the appearance…
Words: 1462 (6 pages)
Weimar recreated at Louisville Classics Festival, highlighted by rare visit of the Berliner Ensemble. In the 1920s, Berlin was a city with a case of the jitters. From the abdication of the Kaiser in 1918 to the appointment of Adolf Hitler as chancellor of the Third Reich in 1933, Berlin and Germany experienced, in the…
Words: 588 (3 pages)
New information programs, new appointments and a slate of new grants to assist the nation’s artistically underserved communities have been announced by the National Endowment for the Arts.The United States Travel and Tourism Administration has teamed up with the NEA to develop a plan to help instill an increased awareness of America’s cultural diversity to…
Words: 5260 (22 pages)
Veteran lighting designer Jenifer Tipton made her debut as a director in October at Minneapoli’s Guthrie Theater with a harsh, uncompromising production of Shakespeare’s The Tempest. Her sudden transformation from design artist to director was a bold step that surprised many perhaps no one more than Tipton herself. The project had its beginnings in the spring…
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Subterranean rhythms Orpheus, the dauntless son of Thracian King Oeagrus and the muse Calliope, is one of history’s most renowed poet-musicians – real or invented. The god Apollo presented him with a lyre whose ethereal sounds had power to soothe savage beasts and cause rocks and trees to move. When his beloved wife Eurydice abruptly died…
Words: 3906 (16 pages)
Joseph Papp was the most powerful and infuential man in the American theatre, dominating his world through the force of his own dazzling paradoxical personality. For him, there was no contradiction in the diverse roles he chose to play. An idealist had to be a pragmatist, for how else would he able to bring his ideals…
Words: 2415 (10 pages)
The Roundabout Theatre Company’s new mounting of Harold Pinter’s The Homecoming opened in New York last October just a few days after the tragicomic, hothouse confrontation between Clarence Thomas and Anita Hill. Suddenly, this once enigmatic play (routinely referred to in the late ’60s as “Pinter’s puzzle”) seemed all too clear, almost didactically so. Ruth,…
Words: 750 (3 pages)
“Gothic”, a term primarily used to describe the style of architecture that flourished in Western Europe during the twelfth and sixteenth centuries. However, the word “Gothic” was originally familiarised be Italian Renaissance writers as a term for all art and architecture of the middle ages, which they recognised as comparable to the works of the…
Words: 652 (3 pages)
A comparison between the original DRACULA movie (1931) and the (1994) movie INTERVIEW WITH A VAMPIRE. Although the two films may be similar from being of the horror genre and vampirical sub-genre there are evidently several differences between the two. Our original (1931) was adapted from the novel written by Bram Stoker, Stoker’s story is closely followed,…
Words: 1279 (6 pages)
Katerina Stratford (Julie Stiles) takes no prisoners in her approach to life. She lives a virtually un-materialistic life compared to her little sister Bianca (Larissa Oleynik) who lives life as Daddy’s little princess and loves it. Only one thing stands in the way of happiness for Bianca; the one rule that stands in her household,…
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