Words: 1066 (5 pages)
Among the more ambitious and exotic offerings this season at Pittsburgh’s Three Rivers Shakespeare Festival is the American premiere of Ophelia, a vivid and compelling variation on the Hamlet story, created by the Kyoto-based NOHO theatre group. NOHO may not exactly be the father of Japanese-American cross-cultural fusion, but it has been so prolific and…
Words: 1137 (5 pages)
A jolt of energy, imagination, color and creativity hit the San Francisco and New York theatre communities this past season, and it came from an unexpected quarter: the Soviet Union. Not from the new Russia, jittery and vibrant with the ongoing process of perestroika; not from the twilight of old Russia, where Chekhov and Stanislavsky…
Words: 2260 (10 pages)
We live in a moment of extreme ideological confusion. The Soviet Empire and cold war seem to have have ended almost overnight. Like so many social and political spectacles in America now, the Clarence Thomas – Anita Hill drama seems to have come and gone without an author, and no one with a radical or…
Words: 1380 (6 pages)
On June 13, the New Experimental Theatre of Volgograd, Russia, opens a Russian-language version of A Streetcar Named Desire – at the Cleveland Play House. By then, the Milwaukee Repertory Theater will have just closed a revival of Our Town – at the Omsk State Drama Theatre in Siberia. At the joint behest of the…
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Words: 1862 (8 pages)
At the risk of turning my own creeping anecdotage into a shortcut to perceptible truth, I’m prepared to share a tale told me in Houston some months ago, a familiar tale, one might say, about a poet confronted by a mob. Seven young acting interns with Houston’s Alley Theatre were scheduled to perform a mini-version…
Words: 755 (4 pages)
When one character assassinated another’s musical taste in The Lisbon Traviata with the observation, “He’s into crossover albums. He just bought Teresa Stratas in Funny Girl,” I laughed so hard in the theatre, I had to be shushed. The idea of Ms. Stratas, a diva not known for a merry disposition, portraying Ziegfeld comedienne Fanny…
Words: 922 (4 pages)
Nov. 22, 1963, lives in infamy as the day John F. Kennedy was shot. But it was also the day that one of America’s best-loved performers nearly poisoned himself to death with his own costumes. Liberace had been feeling ill all day. He was scheduled to play a concert that night in Hershey, Penn., and…
Words: 5297 (22 pages)
The show ended at San Francisco’s Theater Rhinoceros one February night like any other. The audience applauded and went home; the cast washed up and headed out. One actor, pleased enough with his performance in a variety of roles in Joe Pintauro’s Wild Blue – among them, a gay uncle making amends with an estranged…
Words: 1274 (6 pages)
Like the shy, obsessive heroines of her earliest plays, Adrienne Kennedy led something of a sheltered childhood. She grew up in the 1930s and ’40s in the integrated and culturally diverse middle-class neighborhoods of Mt. Pleasant and Glenville on the east side of Cleveland. “It was an exciting neighborhood, an exciting mixture of people, immigrant…
Words: 482 (2 pages)
The playbill for a show presented at Arizona State University’s Institute for Studies in the Arts reads: “Two One-Act Plays performed as part of the Performance Induced Personality Transformation & Immunity Project.” Further along, the program contains this eye-opener: “Because we need to draw blood and have it shipped by 5 p.m. each day, we…
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