The Jealously of Iago in Othello
Iago’s crimes define pathological jealousy and a sheer desire for
revenge. His acts are pre-meditated and have reasons. In various soliloquies, heOrder now
reveals grudges that, while mostly false or overblown, present themselves as
clear to Iago. Iago masters duplicity, even remarking himself “I am not what I
am.” (line 67) Many of his dark motives are probably concealed from the audience.
In his few soliloquies, he presents definitive motives for his vengeful desires.
His passions are so dark that they can only be understood by himself.
The first scene depicts Iago conversing with Roderigo. Iago’s goals,
grudges, and furthermore his motives are revealed. His plan is calculated and
pre-meditated with Roderigo being a mere source of cash. Iago explains his
disbelief on not being selected for lieutenant.
He boasts of his military
victories “at Rhodes, at Cyprus, and on other grounds/ Christened and heathen,
must be beleed and calmed/ By debitor and creditor.” (lines 30-32) Iago was
denied a position of high valor and takes umbrage to the person responsible.
That person is Othello. Othello chooses Michael Cassio, whom Iago denounces as
“a Florentine.” (line 21) Iago has been beaten by a Florentine with (as Iago
thinks) less military ability than him. This deep wound commands Iago to revenge.
Iago cannot bear Othello’s being a superior figure. Iago comments on
Othello’s going to war as “Another of his fathom they have none/ To lead their
business.” (lines 153-154) Iago insults Othello’s skin color profusely behind
his back. As the first part of his plan, Iago seeks to arouse Bra. . a man with tremendous skill and motive.
revenge and obtained it.
Works Cited and Consulted
Ferguson, Francis. “Two Worldviews Echo Each Other.” Readings on The Tragedies. Ed. Clarice Swisher.
San Diego: Greenhaven Press, 1996. Reprint from Shakespeare: The Pattern in His Carpet. N.p.: n.p.
Gardner, Helen. “Othello: A Tragedy of Beauty and Fortune.” Readings on The Tragedies. Ed. Clarice Swisher.
San Diego: Greenhaven Press, 1996. Reprint from “The Noble Moor.” British Academy Lectures, no. 9, 1955.
Mack, Maynard. Everybody’s Shakespeare: Reflections Chiefly on the Tragedies.
Lincoln, NB: University of Nebraska Press, 1993.
Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996.
http://www.eiu.edu/~multilit/studyabroad/othello/othello_all.html No line nos.