Henry Howard, Earl of Surrey
iambic pentameter; syllabic monotomy
words violating meteter = season, summer, swift, swallow, winter; jarring point in speaker’s life
Ben Jonson
iambic pentameter
Fresh Fount = alliteration; sad, slow tone of poem
John Keats
3 stanzas, eleven lines each, iambic pentameter; ABABCDEDCCE
Gerald Manly Hopkins
sonnet; words broken in middle so that it can rhyme properly; italian sonnet; volta in line 9
Peter Davidson
free verse; about love for English language
Les Murray
free verse; sounds very important in this poem as they echo the morse code
Wendy Cope
anapestic, ABCB rhyme; sarcastic/cynical tone; theme — relationships based on timing & take a lot of time/effort
John Clare
3 stanzas, 14 lines each in first 2 and 12 lines in last stanza; iambic pentameter; “and” is used 44 times, making you feel that there is no end and it goes on and on; quick end of last stanza makes it feel more abrupt
Emily Dickinson
3 quatrains, iambic tetrameter; sexual connotations to emphasize feeling of ecstasy
Gerald Manley Hopkins
Italian sonnet, ABBAABBA CDCDCD, iambic pentameter
alliteration pitched past pitch
Robert Hayden
multiple run on lines; each stanza represents one idea; no rhyme scheme
Phillip Larkin
12 lines, ABBA CDDCEFFE, iambic tetrameter
compares life and cycles of a tree to human experience
Allen Ginsberg
free verse, no rhyme scheme; speaks to Walt Whitman; lots of imagery to show how world became antithesis of Whitman’s ideal world
Anonymous
fourteener; no apparent rhyme scheme
no clear answer to riddle
Anonymous
describing pet rooster
potential sexual meaning to poem
5 stanza,20 line poemw/ slant rhymes
Margaret Cavendish
1 10 line stanza w/ rhymingcouplets, iambic pentameter
Emily Dickinson
3 stanzas of 3 lines each; first 6 lines rhyme, last 3 lines rhyme
Emily Dickinson
5 stanzas long, each stanza 4 lines; ballad form
describes a bird and human trying to interact with it
Emily Dickinson
8 lines long, 2 stanzas; ballad
visualize flight of a bird
Emily Dickinson
4 lines long; first 3 lines have 4 syllables and last line has 6 syllables
Langston Hughes
no meter, no particular rhyme scheme
Afr Am Civil Rights movement
series of similes and one metaphor
A.R Ammons
trochaic, blank verse,metaphors
Robert Bly
12 lines, 4 stanzas, 3 lines per stanza
no regular meter/rhyme pattern
W.S Merwin
Michael Palmer
free verse
poem is in English, and poet describes many complicated things using English – irony
Craig Raine
17 stanzas, 2 lines per stanza
no regular metere
Robert Burns
8 stanzas, each 6 lines
Of Mice and Men reference
Lord Alfred Tennyson
poem composed 5 stanzas, iambic pentameter
Robert Browning
tetrameter; jealous monk finds more pleasure in flesh than in spirit
Charlotte Mew
form matches insanity of the persona
no definite rhyme scheme
Sylvia Plath
free verse
28 stanzas of 3 lines each
William Blake
trochaic trimeter
repetition gives it a song like feel
William Blake
6 quatrains
rhymed couplets
William Blake
3 quatrains, each containing a rhyming couplet
iambic, fourteeners
William Blake
4 quatrains, ballad form
William Blake
ballad form, iambictetrameter alternating with iambic trimeter
Mercy, Pity, Love given human characteristics, Peace given dress
William Blake
8 syllables, 2 stanzas, quatrain
human characteristics put things in diff perspective
George Herbert
shape/pattern resembles birds/wings
no reliabllemeter; chiasmic, like a bird
Walt Whitman
no particular rhymescheme; free verse
Thomas Hardy
each stanzarhymes within itself; shaped like a shipor an iceberg
William Carlos Williams
iambic trimeter and 5 syllable lines
metaphor
Marianne Moore
structure resembles waves, 1,3,9,6,8
dark, archaic feeling
John Hollander
free verse,no punctuations, use of capitalization
shaped in swam and its reflection, but not perfectly
Above the
Derek Mahon
shaped like a window frame
windows connect us with outside world
Edmund Spenser
spenserian sonnet
trochaic pentameter
Phillip Sydney
italian sonnet, metapoetic
Michael Drayton
english sonnet, iambic pentameter
volta at line 13; metapoetic
Shakespeare
life is short and quickly changing; stage metaphor for life
Shakespeare
poem about shrinkage of space and time
Shakespeare
richness in language found in antique literature of past, as opposed to language of the present
John Donne
italian sonnet
iambic pentameter; entire poem is extended metaphor – religion vs physical love
Gerald Manley Hopkins
italian sonnet
things cant get any worse
enjambment
Robert Frost
sonnet, iambic
E.E Cummings
sonnet, doesn’t conform to a particular meter
James Merrill
composed of 7 diff sonnets all connected thematically
Rita Dove
greek mythology
similes, metaphors used a lot
William Epson
villanelle
dont miss opportunities and dont waste time
Theodore Rothke
villanelle
Elizabeth Bishop
villanelle
we are okay if we lose material things, and even if we lose people we love we are generally okay
Dylan Thomas
villanelle; addressing his dying father
enjambment stresses urgency in his message
Sir Philip Sydney Strephon
double sestina; very comical
hendecasyllabic (11 syllables)
2 shepherds mourning the loss of the beautiful loved one and how nothing is same without her
Elizabeth Bishop
enjambment symbolizes connection btwn repeating words
Anthony Hecht
sestina; no set meter; about Jews in concentration camp; words transform in meaning
John Ashbery
sestina; painter struggling to complete his works — pattern changes in syllables too, to mirror content
Anonymous
9 line poem; answer may be swan, wind, etc.
Anonymous
6 line poem, no apparent rhyme scheme
Anon
speaker seems to be a military man away from home longing for his sweetheart; spelling of Arms as Armys
Lewis Carroll
From “Through the Looking Glass”
7 quatrains; iambic tetrameter, except for last line of each stanza, which is iambic trimeter
nonsense language, surreal aspects; most of vocab is made up
nons
EE Cummings
9 quatrains
no rhyme scheme
male = anyone, female = noone
John Ashbery
1 21 line stanza
nonsensical poem