Arthur Miller
By: Shane OMac E-mail: emailprotected With The Death of a Salesman during the winter of 1949 on Broadway, Arthur Miller began to live as a playwright who has since been called one of this century’s three great American dramatists by the people of America. The dramatist was born in Manhattan in October 17, 1915, to…
Arthur Miller
When we think of the United States we think of equality and justice for all people no matter how far back you go back in our history. Sadly, this hasn’t always been the case, in this land of hope and freedom peoples lives have been taken unjustily to pursue outlandish stories of witchcraft. Native people…
Arthur Miller
I agree that Arthur Miller engaged the audience to a large extent, and he also manages to get across a historical story at the same time and prove a point. I believe that through extensive character detail he has made it possible for us to understand exactly how the different characters are feeling, and why…
Arthur Miller
You get the feeling that Elizabeth is extremely nervous as she enters the court because the first reference towards her in the room via the stage directions is that, “(She stands alone, her eyes looking for Proctor).” This suggests to me that she is feeling very tense and this would have an effect on the…
Arthur Miller
Playwright
Miller uses effective craftsmanship to structure his play. He uses climax and resolution well in order to captivate his audience. Act 1 begins in total silence with Parris kneeling in prayer; this implies tranquillity and calmness. However throughout the act the climax builds resulting in total hysteria from Abigail and the girls. Again just as…
Check a number of top-notch topics on Arthur Miller written by our professionals
Willy’s American Dream in Death of a Salesman by Arthur Miller
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The Consequences of Willy Loman’s Desire for Success
Willy Loman as a Complex Character in The Death of a Salesman
Willy Loman – a Tragic Hero in The Death of a Salesman by Arthur Miller
Why Linda is Weak in Death of a Salesman by Arthur Miller
The Struggles to Understand Oneself: Biff and Willy Loman
The Importance of The Linguistic Features in The Play
The Ideology of Capitalism in The Death of a Salesman
The Failed Past and The Delusions of The Present of a Successful Life in Death of a Salesman, a Play by Arthur Miller
The Critique of American Patriarchal Society in ‘Death of a Salesman’
The Changes of Willy Loman’s Character in Death of a Salesman
The Analysis of Elizabeth Proctor’s Life
The American Dream in The Death of a Salesman
Symbolism in Death of a Salesman by Arthur Miller
Signs of Psychological Conflict in Arthur Miller’s Death of a Salesman
Self-exploration in The Play “Death of a Salesman”
Sales and Dreams in Death of a Salesman
Perceptions of Self Worth and Prominence: Settings in The Play
Musical Motifs in ‘Death of a Salesman”
Internal and External Conflict in Arthur Miller’s ‘The Crucible’
Imperfect Protagonists of Death of a Salesman and Fences
Gender Roles in Death of a Salesman
Explore How The Theme of Love is Portrayed in “A View from The Bridge”.
Emotional Intertextuality Between Salesman and The Kite Runner
Critique of American Patriarchal Society in ‘Death of a Salesman’
Capitalism as Masculine Identity in American Theater: Death of a Salesman and Glengarry Glen Ross
Blame Distribution Among The Characters of The Crucible by Arthur Miller
Arthur Miller’s Depiction of Willy Loman as a Heroic Figure as Illustrated in His Play, Death of a Salesman
Arthur Miller’s Death of a Salesman as an Example of The American Dream
born
Arthur Asher Miller, October 17, 1915, Manhattan, New York, U.S.
died
February 10, 2005 (aged 89), Roxbury, Connecticut, U.S.
children
4; including Rebecca
quotations
Maybe all one can do is hope to end up with the right regrets.
information
| Alma mater | University of Michigan |
|---|---|
| Notable work(s) | All My Sons, Death of a Salesman, The Crucible, A View from the Bridge |
| Occupation | Playwright, essayist, screenwriter |
| Relatives | Joan Copeland (sister), Daniel Day-Lewis (son-in-law) |
| Spouse | Mary Slattery, (m. 1940; div. 1956), Marilyn Monroe, (m. 1956; div. 1961), Inge Morath, (m. 1962; died 2002) |
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