Renaissance art (Donatello)
Donatello as the most important sculptor of the Early Renaissance Essay 2268 Words | 9 Pages
Donatello is known as the most important sculptor of the Early Renaissance. The author, John Pope-Hennessy noted him as "one of the greatest artists who ever lived" Pope-Hennessy p. 11. Donatello was a modest person who was very dedicated to his works. Because of his great dedication, he was able to create so much art in so many different varieties Poeschke p. 5. Donatello's origins, his accomplishments, and his impact are important aspects to appreciate the sculptor, Donatello. Donatello was born on 1386 in Florence, Italy by the name Donato di Niccolo di Betto Bardi. ibrary p. 1. His father,...
Renaissance Art Donatello Essay 703 Words | 3 Pages
Donatello (1386-1466) was a master of sculpture in bronze and marble and was considered one of the greatest Italian Renaissance artists of his time. There is much more to know about him, though then the name alone. He has created some of the greatest works of art, not only in the Italian renaissance, but human history as well.A lot is known about his life and career but little is known about his character and personality. Donatello never married and seems to be a man of simple tastes. Patrons often found him hard to deal with and he demanded a lot...
Masaccio, Donatello, and Brunelleschi - Renaissance Pioneers Essay 972 Words | 4 Pages
The "pioneer generation" of the Renaissance artists was generally considered to be the painter Mosaic, the sculptor Donated, and the architect Brucellosis. They applied Humanist thinking to art by using the styles of the classical world, instead of their immediate past, to depict the world around them in a naturalistic manner. The idealized statuary of classical antiquity served as their models, while in architecture the classical orders were applied to Renaissance buildings. They also extended their understanding of light and shadow, of perspective and anatomy. Mosaic was a key Florentine painter of the early Renaissance whose great work, the frescoes...
the Early Renaissance: Donatello 251 Words | 1 Pages
donatello studied roman sculptures, learned perspective from brunelleschi brunelleschi created dome of florence cathedral, used perspective florence capital of humanism and renaissance van eyck created gothic painting, started using oil pant in his paintings patronage support of the arts given by a patron, happened frequently in the city states masaccio first to define and use the laws of perspective giotto first man to sign his name in his art, created fresco fresco technique of mural painting, becomes part of wall perspective art of drawing sold objects on 2 dimensional surface
(Painting) Early Renaissance - High Renaissance 2369 Words | 8 Pages
Lamentation Period: Early Renaissance (1300 CE) Artist: Giotto Patron: Enrico Scrovegni Form: stage space, layering for impression of depth, individualized faces seen through example such as knitted brows, emphasis on the emotional aspect depicting sorrow and loss, vibrant use of color, gold flat halos present Function: of the Scrovegni Chapel alongside other scenes of Christ's life, beautifies chapel, personal propaganda and reputation Content: Through this Lamentation scene, Christ has been taken off the cross, where surrounding others mourn and grieve over his body. Evidently, these mourners are reacting to his death. Context: This piece exceedingly portrays and conveys the emotional...
Donato di Donatello Essay 703 Words | 3 Pages
Donatello was one of the greatest sculptors of all time. His real name was Donato de Betto di Bardi. Donatello was born in Florence in 1386 and died at 1466. He grew up being called Donatello, which means Little Donato. There is very little known about Donatellos family, except his father was Nicalo di Bardi a wool comber. There is no record of Donatello ever being married or having children.Donatello began his career as a goldsmith. At the age of twelve, he began working in the shop of the great architect Brunelleschi in 1399. Next, Donatello had the opportunity to...
Renaissance Art Work 671 Words | 2 Pages
Masaccio Holy Trinity with the Virgin Features of Renaissance art: Perspective, Rome Reflection of the Renaissance and humanism: Appreciation of individual Roman architecture and antiquity Patrons putting themselves in their work Donatello, David Features of Renaissance art: human anatomy, contrapposto Reflection of the Renaissance and humanism: -Beauty of the human form -Exemplifies human strength -Shows idealistic male body -Ideal potential of man Botticelli, Primavera Features of Renaissance Art: Use of light and shadow, contrapposto, red and blue Reflection of the Renaissance and Humanism: -Appreciation of the individual (patrons in art) Botticelli, Birth of Venus Features of Renaissance art: Red &...
The Characteristics of Italian Renaissance Art in Masaccio's Painting 330 Words | 1 Pages
CHIAROSCURO The first painter to use chiaroscuro to represent a form through light and shade rather than a series of contours. The influence of Donatello is evident in Masaccio's modelling of forms and rendering of solid objects in an almost sculptural way LINEAR AND AERIAL PERSPECTIVE The first painter to introduce Brunelleschi's systematic perspective into painting using mathematical laws, he was also the first exponent of aerial perspective THE ANTIQUE The first painter to systematically reassess antique sculpture. This helped create an art, which was more natural than that produced in the Trecento. Poses are borrowed from the antique, and...
Sculpture - Early/High Renaissance Art 545 Words | 1 Pages
Saint George Donatello. Combination of classical and Christian iconography Saint John the Evangelist. Donatello. A Prophet Donatello. Probably Habbakuk. David Donatello. Marble David 1440 Donatello. First life size sculpture in Western Europe to be seen in the round since antiquity. Gattamelata Donatello. First larger than life size equestrian sculpture since antiquity The Aged Magdalen Donatello. Carved from wood High Renaissance Age of individual genius Artists as genius emerges Patronage shifting from guilds to wealthy citizens to church Growing interest of antiquity High Renaissance view of humanity Man became measure of all things Idealized images of the male and female, often...
The Rebirth of Art: Renaissance and Baroque 1344 Words | 4 Pages
Rebirth of Art: Renaissance The Middle Ages are so called because they fall between twin peaks of artistic glory: The Classical period and the Renaissance. While art hardly died in the Middle Ages, what was reborn in the Renaissance - and extended in the Baroque period - was lifelike art. A shift in interest fro the supernatural to the natural caused this change. The rediscovery of the Greco-Roman tradition helped artists reproduce visual images accurately. Aided by the expansion of scientific knowledge, such as an understanding of anatomy and perspective, painters of the fifteenth through sixteenth centuries went beyond Greece...
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