Get help now
  • Pages 2
  • Words 299
  • Views 71
  • Download


    Verified writer
    • rating star
    • rating star
    • rating star
    • rating star
    • rating star
    • 5/5
    Delivery result 4 hours
    Customers reviews 257
    Hire Writer
    +123 relevant experts are online

    MUS 144G L1- music notation, texture, medieval- early renaissance music

    Academic anxiety?

    Get original paper in 3 hours and nail the task

    Get help now

    124 experts online

    Music notation allows us to see..
    High and low notes
    Short and Long notes
    accented and unaccented notes
    (also speed and volume but those came later)
    Gregorian chant
    church music sung as a single vocal line in free rhythm and a restricted scale (plainsong)
    basic element of Western and Eastern systems of musical notation prior to the invention of five-line staff notation
    What did Guido d’Arezzo do?
    invented modern musical notation (ut-re-mi-fa-so-la) in the 11th century, so people no longer needed to memorise pieces, and could sing just from sight-reading
    Cantus firmus
    (“fixed song”), a pre-existing melody forming the basis of a polyphonic composition
    early polyphony of the late Middle Ages that consists of one or more voice parts accompanying the cantus firmus often in parallel motion at a fourth, fifth, or octave above or below
    Ambrosian chant vs Gregorian chant
    Ambrosian chant- originates from Northern Italy. Both are sung in unison, a capella, involving men’s voices. However Ambrosian chant is more free and meanders more.
    Hildegard of Bingen
    A female music composer in the 12th century
    Medieval period
    5th to 15th centuries
    Renaissance period
    Guillaume de Machaut
    Medieval composer; helped develop motets, secular (distinct from religion) music, and music for the mass
    one of the pre-eminent polyphonic forms of Renaissance music
    Guillaume Dufay
    Early renaissance composer; used systems such as writing polyphonic harmony over a simple chant
    Monophonic texture
    Single melodic line with no accompaniment, or everyone singing the same line
    Homophonic texture
    a texture with one dominant melodic voice accompanied by chords
    Polyphonic texture
    two or more simultaneous lines of independent melody

    This essay was written by a fellow student. You may use it as a guide or sample for writing your own paper, but remember to cite it correctly. Don’t submit it as your own as it will be considered plagiarism.

    Need custom essay sample written special for your assignment?

    Choose skilled expert on your subject and get original paper with free plagiarism report

    Order custom paper Without paying upfront

    MUS 144G L1- music notation, texture, medieval- early renaissance music. (2017, Sep 05). Retrieved from

    We use cookies to give you the best experience possible. By continuing we’ll assume you’re on board with our cookie policy

    Hi, my name is Amy 👋

    In case you can't find a relevant example, our professional writers are ready to help you write a unique paper. Just talk to our smart assistant Amy and she'll connect you with the best match.

    Get help with your paper