We use cookies to give you the best experience possible. By continuing we’ll assume you’re on board with our cookie policy

High Renaissance and Mannerism in Northern Europe and Spain

Goals
Goals
*Understand the consequences of the Protestant Reformation and the Catholic Counter-Reformation
*Understand the diversity of cultures and artistic styles in Spain and Northern Europe
*Identify artists from the 16th century Spain and Northern Europe
Recognize and cite artistic terminology from this period
23.1 Art in the Holy Roman Empire during the 16th Century
* Understand German culture and artistic styles
* Identify representative German artists from the 16th century
* Recognize and cite artistic terminology from this period
Figure 23-2b MATTHIAS GRÜNEWALD, Isenheim Altarpiece (open), from the chapel of the Hospital of Saint Anthony, Isenheim, Germany, ca.1510-1515. Oil on wood, 9' 9 1/2
Figure 23-2b MATTHIAS GRÜNEWALD, Isenheim Altarpiece (open), from the chapel of the Hospital of Saint Anthony, Isenheim, Germany, ca.1510-1515. Oil on wood, 9′ 9 1/2″ x 10′ 9″, (center panel), 8′ 2 1/2″ x 3′ 1/2″ (each wing), 2′ 5 1/2″ x 11′ 2″ (predella). Shrine carved by Nikolaus Hagenauer in 1490. Painted and gilt limewood, 9′ 9 1/2″ x 10′ 9″. Musée d’Unterlinden, Colmar.
Figure 23-3 HANS BALDUNG GRIEN, Witches' Sabbath, 1510. Chiaroscuro woodcut, 1' 2 7/8
Figure 23-3 HANS BALDUNG GRIEN, Witches’ Sabbath, 1510. Chiaroscuro woodcut, 1′ 2 7/8″ X 10 ¼”. British Museum, London.
23-3A HANS BALDUNG GRIEN, Death and the Maiden, 1509-1511. Oil on wood, 1' 3 3/4
23-3A HANS BALDUNG GRIEN, Death and the Maiden, 1509-1511. Oil on wood, 1′ 3 3/4″ X 1′ 3/4″. Kunsthistorisches Museum, Vienna.
Albrecht Durer:
Albrecht Durer: “Leonardo of the North”
* Travelled widely through Europe and became an international celebrity
* Took trips to Italy to study Renaissance art
* First artist to synthesize Northern European stylistic features (intricate detail, realistic rendering of objects, symbols hidden as everyday objects) and blend them with Italian features (classical body types, linear perspective) — admired the work of Leonardo
* First artist to keep a thorough record of his life (self-portraits, treatises on his thoughts, and a diary)
* Important graphic artist — best known for his engravings
Influenced significantly by Martin Luther and Protestant Reformation
Figure 23-4A ALBRECHT DÜRER, Great Piece of Turf, 1503. Watercolor, 1' 3/4
Figure 23-4A ALBRECHT DÜRER, Great Piece of Turf, 1503. Watercolor, 1′ 3/4″ x 1′ 3/8″. Albertina, Vienna.
Figure 23-5 ALBRECHT DÜRER, The Fall of Man (Adam and Eve), 1504. Engraving, 9 7/8
Figure 23-5 ALBRECHT DÜRER, The Fall of Man (Adam and Eve), 1504. Engraving, 9 7/8″ x 7 5/8″. Museum of Fine Arts, Boston (centennial gift of Landon T. Clay).
23.2 Protestant Reformation
23.2 Protestant Reformation
* Understand the consequences of the Protestant Reformation and the Catholic Counter-Reformation
* Observe how Protestantism affected the role and imagery of art
Figure 23-8 LUCAS CRANACH THE ELDER, Allegory of Law and Grace, ca. 1530. Woodcut, 10 5/8
Figure 23-8 LUCAS CRANACH THE ELDER, Allegory of Law and Grace, ca. 1530. Woodcut, 10 5/8″ x 1′ 3/4″. British Museum, London.
23-9 LUCAS CRANACH THE ELDER, Judgment of Paris, 1530. Oil on wood, 1' 1 1/2
23-9 LUCAS CRANACH THE ELDER, Judgment of Paris, 1530. Oil on wood, 1′ 1 1/2″ X 9 1/2″. Staatliche Kunsthalle, Karlsruhe.
23-6 ALBRECHT DÜRER, Melencolia I, 1514. Engraving, 9 3/8
23-6 ALBRECHT DÜRER, Melencolia I, 1514. Engraving, 9 3/8″ X 7 1/2″. Victoria & Albert Museum, London.
Figure 23-7 ALBRECHT DÜRER, Four Apostles, 1526. Oil on wood, each panel 7' 1
Figure 23-7 ALBRECHT DÜRER, Four Apostles, 1526. Oil on wood, each panel 7′ 1″ x 2′ 6″. Alte Pinakothek, Munich
Figure 23-10 ALBRECHT ALTDORFER, The Battle of Issus, 1529. Oil on wood, 5' 2 1/4
Figure 23-10 ALBRECHT ALTDORFER, The Battle of Issus, 1529. Oil on wood, 5′ 2 1/4″ x 3′ 11 1/4″. Alte Pinakothek, Munich
Figure 23-11 HANS HOLBEIN THE YOUNGER, The French Ambassadors, 1533. Oil and tempera on wood, approx. 6' 8
Figure 23-11 HANS HOLBEIN THE YOUNGER, The French Ambassadors, 1533. Oil and tempera on wood, approx. 6′ 8″ x 6′ 9 1/2″. National Gallery, London.
23-11A HANS HOLBEIN THE YOUNGER, Henry VIII, 1540. Oil on wood, 2' 8 1/2
23-11A HANS HOLBEIN THE YOUNGER, Henry VIII, 1540. Oil on wood, 2′ 8 1/2″ X 2′ 5 1/2″. Galleria Nazionale d’Arte Antica, Rome.
23.3 Art in France during the 16th Century
* Understand the French culture and artistic styles
* Identify representative French artists from the 16th century
* Recognize and cite artistic terminology from this period
Figure 23-12 JEAN CLOUET, Francis I, ca. 1525-1530. Tempera and oil on wood, approx. 3' 2
Figure 23-12 JEAN CLOUET, Francis I, ca. 1525-1530. Tempera and oil on wood, approx. 3′ 2″ x 2′ 5″. Louvre, Paris.
Figure 23-13 Château de Chambord, Chambord, France, begun 1519.
Figure 23-13 Château de Chambord, Chambord, France, begun 1519.
Figure 23-14 PIERRE LESCOT, west wing of the Cour Carre (Square Court) of the Louvre, Paris, France, begun 1546.
Figure 23-14 PIERRE LESCOT, west wing of the Cour Carre (Square Court) of the Louvre, Paris, France, begun 1546.
23-14A JEAN GOUJON, Nymphs, from the Fountain of the Innocents, Paris, France, 1547-1549. Marble, each relief 6' 4 3/4
23-14A JEAN GOUJON, Nymphs, from the Fountain of the Innocents, Paris, France, 1547-1549. Marble, each relief 6′ 4 3/4″ X 2′ 4 3/4″. Louvre, Paris.
23.4 Art in the Netherlands during the 16th Century
* Understand Dutch culture and artistic styles
* Identify representative Dutch artists from the 16th century
* Recognize and cite artistic terminology from this period
Figure 23-1 HIERONYMUS BOSCH, Garden of Earthly Delights, 1505-1510. Oil on wood, center panel 7' 2 5/8
Figure 23-1 HIERONYMUS BOSCH, Garden of Earthly Delights, 1505-1510. Oil on wood, center panel 7′ 2 5/8″ X 6′ 4 ¾”, each wing 7′ 2 5/8″ X 3′ 2 ¼”. Museo del Prado, Madrid.
Figure 23-15 JAN GOSSAERT Neptune and Amphitrite, ca. 1516. Oil on wood, 6' 2
Figure 23-15 JAN GOSSAERT Neptune and Amphitrite, ca. 1516. Oil on wood, 6′ 2″ x 4′ 3/4″. Gemäldegalerie, Staatliche Museen, Berlin.
23-15A JAN GOSSAERT, Saint Luke Drawing the Virgin Mary, ca. 1520-1525. Oil on wood, 3' 7 1/8
23-15A JAN GOSSAERT, Saint Luke Drawing the Virgin Mary, ca. 1520-1525. Oil on wood, 3′ 7 1/8″ X 2′ 8 1/4″. Kunsthistorisches Museum, Vienna.
Figure 23-16 QUINTEN MASSYS, Money-Changer and His Wife, 1514. Oil on wood, 2' 3 3/4
Figure 23-16 QUINTEN MASSYS, Money-Changer and His Wife, 1514. Oil on wood, 2′ 3 3/4″ x 2′ 2 3/8″. Louvre, Paris.
Figure 23-17 PIETER AERTSEN, Butcher's Stall, 1551. Oil on wood, 4' 3/8
Figure 23-17 PIETER AERTSEN, Butcher’s Stall, 1551. Oil on wood, 4′ 3/8″ x 6′ 5 3/4″. Uppsala University Art Collection, Uppsala.
Figure 23-19 Attibuted to LEVINA TEERLINC. Elizabeth I as a Princess, ca. 1559. Oil on wood, 3' 6 3/4
Figure 23-19 Attibuted to LEVINA TEERLINC. Elizabeth I as a Princess, ca. 1559. Oil on wood, 3′ 6 3/4″ x 2′ 8 1/4″. The Royal Collection, Windsor Castle, Windsor, England.
Figure 23-20 JOACHIM PATINIR, Landscape with Saint Jerome, ca. 1520-1524. Oil on wood, 2' 5 1/8
Figure 23-20 JOACHIM PATINIR, Landscape with Saint Jerome, ca. 1520-1524. Oil on wood, 2′ 5 1/8″ x 2′ 11 7/8″. Museo del Prado, Madrid.
Figure 23-21 PIETER BRUEGEL THE ELDER, Netherlandish Proverbs, 1559. Oil on wood, 3' 10
Figure 23-21 PIETER BRUEGEL THE ELDER, Netherlandish Proverbs, 1559. Oil on wood, 3′ 10″ x 5′ 4 1/8″. Gemäldegalerie, Staatliche Museen, Berlin.
23-22A PIETER BRUEGEL THE ELDER, Fall of Icarus, ca. 1555-1556. Oil on wood transferred to canvas, 2' 5
23-22A PIETER BRUEGEL THE ELDER, Fall of Icarus, ca. 1555-1556. Oil on wood transferred to canvas, 2′ 5″ X 3′ 8 1/8″. Musées Royaux des Beaux-Arts de Belgique, Brussels.
Figure 23-22 PIETER BRUEGEL THE ELDER, Hunters in the Snow, 1565. Oil on wood, approx. 3' 10 1/8
Figure 23-22 PIETER BRUEGEL THE ELDER, Hunters in the Snow, 1565. Oil on wood, approx. 3′ 10 1/8″ x 5′ 3 3/4″. Kunsthistorisches Museum, Vienna.
23.5 Art in Spain during the 16th Century
* Understand Spanish culture and artistic styles
* Identify representative Spanish artists from the 16th century
* Recognize and cite artistic terminology from this period
Figure 23-23 Portal, Colegio de San Gregorio, Valladolid, Spain, ca. 1498.
Figure 23-23 Portal, Colegio de San Gregorio, Valladolid, Spain, ca. 1498.
Figure 23-23A Portal, Casa de Montejo, Merida, Mexico, 1549.
Figure 23-23A Portal, Casa de Montejo, Merida, Mexico, 1549.
Figure 23-24 Juan de Herrera and Juan Bautista de Toledo, aerial view (looking southeast) of El Escorial, near Madrid, Spain, ca. 1563-1584.
Figure 23-24 Juan de Herrera and Juan Bautista de Toledo, aerial view (looking southeast) of El Escorial, near Madrid, Spain, ca. 1563-1584.
Figure 23-25 EL GRECO, The Burial of Count Orgaz, 1586. Oil on canvas, 16' x 12'. Santo Tomé, Toledo.
Figure 23-25 EL GRECO, The Burial of Count Orgaz, 1586. Oil on canvas, 16′ x 12′. Santo Tomé, Toledo.
23-26 EL GRECO, View of Toledo, ca. 1610. Oil on canvas, 3' 11 3/4
23-26 EL GRECO, View of Toledo, ca. 1610. Oil on canvas, 3′ 11 3/4″ X 3′ 6 3/4″. Metropolitan Museum of Art, New York (H.O. Havemeyer Collection. Bequest of Mrs. H.O. Havemeyer, 1929).
How does art influence or reflect religion?
How does Protestant art differ from Catholic art during the Reformation and Counter Reformation?
Does religion influence art today? If so, how?
How prevalent is religious art today? Why?

icon
Sara from Artscolumbia

Hi there, would you like to get such an essay? How about receiving a customized one?
Check it out goo.gl/Crty7Tt

High Renaissance and Mannerism in Northern Europe and Spain
Artscolumbia
Artscolumbia
Goals
Goals
*Understand the consequences of the Protestant Reformation and the Catholic Counter-Reformation *Understand the diversity of cultures and artistic styles in Spain and Northern Europe *Identify artists from the 16th century Spain and Nor
2017-09-06 05:34:49
High Renaissance and Mannerism in Northern Europe and Spain
$ 13.900 2018-12-31
artscolumbia.org
In stock
Rated 5/5 based on 1 customer reviews