Get help now
  • Pages 4
  • Words 881
  • Views 401
  • Download

    Cite

    Annie
    Verified writer
    Rating
    • rating star
    • rating star
    • rating star
    • rating star
    • rating star
    • 4.7/5
    Delivery result 2 hours
    Customers reviews 235
    Hire Writer
    +123 relevant experts are online

    15th Century – Early Italian Renaissance Art – With Images

    Academic anxiety?

    Get original paper in 3 hours and nail the task

    Get help now

    124 experts online

    Title/Name: Dome of Florence Cathedral
Artist:Filippo Brunelleschi
Date: c. 1417 - 1436
Location: Florence, Italy
Significance: The largest masonry dome ever built. It helped catapult the Medici into fame.
    Title/Name: Dome of Florence Cathedral
    Artist:Filippo Brunelleschi
    Date: c. 1417 – 1436
    Location: Florence, Italy
    Significance: The largest masonry dome ever built. It helped catapult the Medici into fame.
    Title/Name:Foundling Hospital (Ospedale degli Innocenti)
Artist: Filippo Brunelleschi
Date: 1419 - 1444
Location: Florence, Italy
Significance: The first building to embody the new Renaissance architectural style.
    Title/Name:Foundling Hospital (Ospedale degli Innocenti)
    Artist: Filippo Brunelleschi
    Date: 1419 – 1444
    Location: Florence, Italy
    Significance: The first building to embody the new Renaissance architectural style.
    Title/Name:Infant in Swaddling Clothes (One of the Holy Innocents Massacred by Herod)
Artist:Andrea della Robbia
Date:1487
Significance: Provide the only clue on the facade as to what the purpose of the hospital was. Adds striking color accent to the exterior.
    Title/Name:Infant in Swaddling Clothes (One of the Holy Innocents Massacred by Herod)
    Artist:Andrea della Robbia
    Date:1487
    Significance: Provide the only clue on the facade as to what the purpose of the hospital was. Adds striking color accent to the exterior.
    Title/Name: Façade to Palazzo Medici-Riccardi
Artist:Attributed to Michelozzo di Bartolomeo
Date: Begun in 1446
Location:Florence, Italy
Significance: Exemplifies the simultaneous respect for and independence from the antique that characterizes the Early Renaissance.
    Title/Name: Façade to Palazzo Medici-Riccardi
    Artist:Attributed to Michelozzo di Bartolomeo
    Date: Begun in 1446
    Location:Florence, Italy
    Significance: Exemplifies the simultaneous respect for and independence from the antique that characterizes the Early Renaissance.
    Title/Name: Palazzo Rucellai
Artist: Leon Battista Alberti
Date: 1455-1458
Location: Florence, Italy
Significance: Adopted the Roman use of different orders for each story, which created the illusion that it was lighter as you get closer and closer to the top.
    Title/Name: Palazzo Rucellai
    Artist: Leon Battista Alberti
    Date: 1455-1458
    Location: Florence, Italy
    Significance: Adopted the Roman use of different orders for each story, which created the illusion that it was lighter as you get closer and closer to the top.
    Title/Name: Four Crowned Martyrs
Artist: Nanni di Banco
Date: c. 1409 - 1417
Location: Florence, Italy
Significance: Attempted to solve the problem of integrating figures on a monumental scale.
    Title/Name: Four Crowned Martyrs
    Artist: Nanni di Banco
    Date: c. 1409 – 1417
    Location: Florence, Italy
    Significance: Attempted to solve the problem of integrating figures on a monumental scale.
    Title/Name: Life of John the Baptist from South Doors, Baptistry of San Giovanni
Artist: Andrea Pisano
Date: 1330 - 1336
Location: Florence, Italy
Significance: 28 panels, 20 represent John's life and the other 8 are personified christian virtues.
    Title/Name: Life of John the Baptist from South Doors, Baptistry of San Giovanni
    Artist: Andrea Pisano
    Date: 1330 – 1336
    Location: Florence, Italy
    Significance: 28 panels, 20 represent John’s life and the other 8 are personified christian virtues.
    Title/Name:Gates of Paradise, East Doors, Baptistry of San Giovanni
Artist: Lorenzo Ghiberti
Date: 1425 - 1452
Location: Florence, Italy
Significance: Depicts 10 episodes of the Old testament. Abandoned the quatrefoil frames of Pisano's, Michelangelo himself said they could be the Gates to Paradise.
    Title/Name:Gates of Paradise, East Doors, Baptistry of San Giovanni
    Artist: Lorenzo Ghiberti
    Date: 1425 – 1452
    Location: Florence, Italy
    Significance: Depicts 10 episodes of the Old testament. Abandoned the quatrefoil frames of Pisano’s, Michelangelo himself said they could be the Gates to Paradise.
    Title/Name: Jacob and Esau
Artist: Lorenzo Ghiberti
Date: c. 1435
Location: Florence, Italy
Significance: Is one of the panels on the Gates of Paradise. Provides a clear example of linear perspective.
    Title/Name: Jacob and Esau
    Artist: Lorenzo Ghiberti
    Date: c. 1435
    Location: Florence, Italy
    Significance: Is one of the panels on the Gates of Paradise. Provides a clear example of linear perspective.
    Title/Name: David
Artist: Donatello
Date: c. 1446 - 1460
Location: Florence, Italy
Significance: The first Renaissance sculpture to portray the nude male figure. Was the symbol of the Florentine Republic.
    Title/Name: David
    Artist: Donatello
    Date: c. 1446 – 1460
    Location: Florence, Italy
    Significance: The first Renaissance sculpture to portray the nude male figure. Was the symbol of the Florentine Republic.
    Title/Name: Judith and Holofernes
Artist: Donatello
Date: c. 1446 - 1460
Location: Florence, Italy
Significance: Focuses on the naturalism including detail such as realistically messy clothes.
    Title/Name: Judith and Holofernes
    Artist: Donatello
    Date: c. 1446 – 1460
    Location: Florence, Italy
    Significance: Focuses on the naturalism including detail such as realistically messy clothes.
    Title/Name: Equestrian Monument of Bartolommeo Colleoni
Artist: Andrea del Verrocchio
Date: Clay model 1486 - 1488, Cast after 1490, Placed 1496
Location: Venice, Italy
Significance: Completed after Colleoni died. Depicted with an exaggerated tautness in creating a portrait of merciless might.
    Title/Name: Equestrian Monument of Bartolommeo Colleoni
    Artist: Andrea del Verrocchio
    Date: Clay model 1486 – 1488, Cast after 1490, Placed 1496
    Location: Venice, Italy
    Significance: Completed after Colleoni died. Depicted with an exaggerated tautness in creating a portrait of merciless might.
    Title/Name: Virgin and Child Enthroned, Most likely painted for high altar of the Church Santa Trinita
Artist: Cimabue
Date: c. 1280
Location: Florence, Italy
Significance: First to move towards more natural appearance.
    Title/Name: Virgin and Child Enthroned, Most likely painted for high altar of the Church Santa Trinita
    Artist: Cimabue
    Date: c. 1280
    Location: Florence, Italy
    Significance: First to move towards more natural appearance.
    Title/Name: Virgin and Child Enthroned, Most likely for the high altar of the Church of the Ognissanti (All Saints)
Artist: Giotto di Bondone
Date: 1305-1310
Location: Florence, Italy
Significance: Marks the end of medieval painting in Italy and moves to a new naturalistic approach to Art.
    Title/Name: Virgin and Child Enthroned, Most likely for the high altar of the Church of the Ognissanti (All Saints)
    Artist: Giotto di Bondone
    Date: 1305-1310
    Location: Florence, Italy
    Significance: Marks the end of medieval painting in Italy and moves to a new naturalistic approach to Art.
    Title/Name: Trinity with the Virgin, Saint John the Evangelist, and Donors
Artist: Masaccio
Date: c. 1425 - 1427/1428
Location: Church of Santa Maria Novella, Florence.
Significance: The premier early 15th century example of the application of mathematics to the depiction of space according to Brunelleschi's system of perspective.
    Title/Name: Trinity with the Virgin, Saint John the Evangelist, and Donors
    Artist: Masaccio
    Date: c. 1425 – 1427/1428
    Location: Church of Santa Maria Novella, Florence.
    Significance: The premier early 15th century example of the application of mathematics to the depiction of space according to Brunelleschi’s system of perspective.
    Title/Name: Frescos in the Scrovegni (Arena) Chapel
Artist: Giotto di Bondone
Date: 1305 - 1306
Location: Padua, Italy
Significance: One of the most impressive and complete pictorial cycles ever rendered.
    Title/Name: Frescos in the Scrovegni (Arena) Chapel
    Artist: Giotto di Bondone
    Date: 1305 – 1306
    Location: Padua, Italy
    Significance: One of the most impressive and complete pictorial cycles ever rendered.
    Title/Name: Lamentation
Artist: Giotto di Bondone
Date: 1305 - 1306
Location: Scrovegni (Arena) Chapel, Padua, Italy
Significance: Uses new devices to depict depth and body mass via management of light and shade.
    Title/Name: Lamentation
    Artist: Giotto di Bondone
    Date: 1305 – 1306
    Location: Scrovegni (Arena) Chapel, Padua, Italy
    Significance: Uses new devices to depict depth and body mass via management of light and shade.
    Title/Name: The Expulsion from Paradise
Artist: Masaccio
Date: c. 1426 - 1427
Location: Brancacci Chapel, Church of Santa Maria del Carmine, Florence, Italy
Significance: The hazy background specifies no locale but suggests a space around and beyond the figures.
    Title/Name: The Expulsion from Paradise
    Artist: Masaccio
    Date: c. 1426 – 1427
    Location: Brancacci Chapel, Church of Santa Maria del Carmine, Florence, Italy
    Significance: The hazy background specifies no locale but suggests a space around and beyond the figures.
    Title/Name: Tribute Money
Artist: Masaccio
Date: c. 1427
Location: Brancacci Chapel, Church of Santa Maria del Carmine, Florence, Italy
Significance:
    Title/Name: Tribute Money
    Artist: Masaccio
    Date: c. 1427
    Location: Brancacci Chapel, Church of Santa Maria del Carmine, Florence, Italy
    Significance:
    Title/Name: Annunciation
Artist: Fra Angelico
Date: c. 1438 - 1445
Location: Monastery of San Marco, Florence, Italy
Significance: It's a simple and direct painting with no shadow.
    Title/Name: Annunciation
    Artist: Fra Angelico
    Date: c. 1438 – 1445
    Location: Monastery of San Marco, Florence, Italy
    Significance: It’s a simple and direct painting with no shadow.
    Title/Name: Battista Sforza and Federico da Montefeltro
Artist: Piero della Francesca
Date: 1474
Location: Urbino, Italy
Significance: Combines the profile views on Roman coins with the landscape backgrounds of Flemish portraiture.
    Title/Name: Battista Sforza and Federico da Montefeltro
    Artist: Piero della Francesca
    Date: 1474
    Location: Urbino, Italy
    Significance: Combines the profile views on Roman coins with the landscape backgrounds of Flemish portraiture.
    Title/Name: Camera Picta
Artist: Andrea Mantegna
Date: 1465 - 1474
Location: Ducal Palace, Mantua, Italy
Significance: The first completely consistent illusionistic decoration of an entire room.
    Title/Name: Camera Picta
    Artist: Andrea Mantegna
    Date: 1465 – 1474
    Location: Ducal Palace, Mantua, Italy
    Significance: The first completely consistent illusionistic decoration of an entire room.
    Title/Name: The Birth of Venus
Artist: Sandro Botticelli
Date: c. 1484 - 1486
Location: Florence, Italy
Significance: Although the nude figure was not acceptable at the time, the painting went uncriticized because it was backed by the Medici family.
    Title/Name: The Birth of Venus
    Artist: Sandro Botticelli
    Date: c. 1484 – 1486
    Location: Florence, Italy
    Significance: Although the nude figure was not acceptable at the time, the painting went uncriticized because it was backed by the Medici family.
    Title/Name: Portrait of Giovanna Tornabuoni
Artist: Dominico Ghirlandaio
Date: 1488 - 1490 
Significance: This portrait embodies all the wealth and grace of 15th century wealthy families.
    Title/Name: Portrait of Giovanna Tornabuoni
    Artist: Dominico Ghirlandaio
    Date: 1488 – 1490
    Significance: This portrait embodies all the wealth and grace of 15th century wealthy families.
    Title/Name: Portrait of a Lady in Yellow
Artist: Alesso Baldovinetti
Date: c. 1465
Significance: Removes the Renaissance depth in order to focus on the finer things such as the embroidered sleeve and headdress.
    Title/Name: Portrait of a Lady in Yellow
    Artist: Alesso Baldovinetti
    Date: c. 1465
    Significance: Removes the Renaissance depth in order to focus on the finer things such as the embroidered sleeve and headdress.
    Title/Name: Portrait of a Woman & Man (Angiola Di Bernardo Sapiti & Lozenzo Di Ranieri Scolari)
Artist: Fra Filippo Lippi
Date: c. 1435 - 1445
Significance: Thought to be the first double portrait in Italian art.
    Title/Name: Portrait of a Woman & Man (Angiola Di Bernardo Sapiti & Lozenzo Di Ranieri Scolari)
    Artist: Fra Filippo Lippi
    Date: c. 1435 – 1445
    Significance: Thought to be the first double portrait in Italian art.
    Title/Name: Portrait of a Young Woman
Artist: Sandro Botticelli
Date: 1475
Significance: An idealized portrait of a woman showing her as a nymph or goddess.
    Title/Name: Portrait of a Young Woman
    Artist: Sandro Botticelli
    Date: 1475
    Significance: An idealized portrait of a woman showing her as a nymph or goddess.

    This essay was written by a fellow student. You may use it as a guide or sample for writing your own paper, but remember to cite it correctly. Don’t submit it as your own as it will be considered plagiarism.

    Need custom essay sample written special for your assignment?

    Choose skilled expert on your subject and get original paper with free plagiarism report

    Order custom paper Without paying upfront

    15th Century – Early Italian Renaissance Art – With Images. (2017, Aug 31). Retrieved from https://artscolumbia.org/15th-century-early-italian-renaissance-art-with-images-14667/

    We use cookies to give you the best experience possible. By continuing we’ll assume you’re on board with our cookie policy

    Hi, my name is Amy 👋

    In case you can't find a relevant example, our professional writers are ready to help you write a unique paper. Just talk to our smart assistant Amy and she'll connect you with the best match.

    Get help with your paper