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    Chapter 9: Medieval and Renaissance

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    Periods in the development of Western Music
    Medieval (Middle ages) (450-1450)
    Renaissance (1450-1600)
    Baroque (1600-1750)
    Classic (1750-1820)
    Romantic (1820-1900)
    Modern (1900 to present)
    Gregorian chant
    Gregorian chants, sung in Latin, are used in the liturgy of the Roman Catholic Church. They date from the end of the sixth century c.e., when Pope Gregory I is believed to have ordered the collection and classification of chants to be used throughout the far-flung church.
    polyphony
    Poly = many; phony = melodies. A texture where two or more independent melodies exist simultaneously, each with equal emphasis
    Renaissance
    literal translation: rebirth, indicating a rebirth of Classicism
    Mass
    The Roman Catholic worship service. A High Mass is composed of the texts called the Proper and the Ordinary. The Proper texts vary from Sunday to Sunday throughout the church year. The Ordinary texts remains the same and consist of the Kyrie, Gloria, Credo, Sanctus and Benedictus, and Agnus Dei. Much of the great choral literature in Western music is polyphonic settings of various sections of the Ordinary. When a composer writes music for the Mass Ordinary the genre is called “Mass.”
    Motet
    A sacred, polyphonic composition with a non-liturgical text. It flourished during the Renaissance and was sung without accompaniment (a cappella) in Latin by trained choirs, typically in four or five parts. Polychoral motets were written for multiple choirs or choirs divided into two or three distinct groups performing singly (in alternation) and jointly in the full ensemble.
    Madrigal
    A Renaissance secular contrapuntal work for several voices that originated in Italy and later flourished in England. “Now is the Month of Maying” is an English madrigal by Thomas Morley
    The Reformation
    Historical period whose origins stem from Martin Luther’s posting his 95 theses criticizing the Catholic Church in 1517, thus dividing the Christian Church into two major divisions: Catholic and Protestant.
    Monophony
    Mono=one; phony=melody. Texture whereby a single melodic line is heard without other melodies or accompaniment.
    Homophony
    Homo-same; phony=melody. Texture whereby a primary melody stands out as dominant with other parts supporting that main melody, acting as accompaniment.
    Medieval notation
    Medieval notation began as words only. Later symbols were added to indicate melodic contour. Staff lines were added around 1000AD. See page 189 for an example of musical notation from the middle ages
    Texture
    The thickness or thinness of a sound as related to how many voices/instruments are sounding at once. In Western art music we can also identify specific textures as being monophonic, polyphonic, or homophonic. Monophony was the preferred texture of the Middle ages. Composers began adding melodies to existing melodies, creating polyphony.
    Chant
    A simple song found in many cultures and traditions. It is a monophonic song without accompaniment, of relatively short duration, of limited melodic range, and with a fluid pulse reflecting the rhythm of the text. In Western music chant is an important part of the Roman Catholic liturgy. They are sung in latin, the language of the church.
    Counterpoint
    Counter=against; point=melody. One melody against, or at the same time, as another. The compositional technique of creating polyphonic texture. The word is frequently used as a synonym for polyphony.
    Ornamentation
    An embellishment of a melody; adding notes for decoration according to established and commonly accepted performance practices
    Imitation
    Compositional technique where one voice is copied or imitated in another voice.
    Lute
    A string instrument from the middle ages and Renaissance
    Art music
    Music that is formal, sophisticated, urban, and typically appreciated by an educated elite. It is music derived from a cultivated tradition based largely on notated music. A certain amount of musical training is needed in order to create and perform art music.
    Vernacular music
    The most familiar and most used language of the people of a nation, region, or a cultural group. Vernacular music is the common musical language of a people. With the Protestant Reformation of the Middle Ages, the Catholic Mass, formerly in Latin, began to be translated into the vernacular language – so in Germany it would be presented in German, in France it would be presented in French, etc . . . .
    Secular music
    Separate from religion. Secular music is music not associated with religion
    Sacred music
    Religious music. Music performed or composed for use in religious services or through religious influence
    Liturgical drama
    Dramas from the middle ages that were acted within or near the church. Stories come from the Bible or are related to Saints. Like the medieval liturgy, the language is Latin. Music was included in the form of chants, incidental dance and processional tunes. Common liturgical dramas were “The Play of Daniel” and “The Play of Herod.” Included instruments such as flutes, trumpets, and percussion
    Melismatic setting
    A musical setting of a text with melismas (multiple notes for one syllable)
    Syllabic setting
    A musical setting of a text with one note per syllable
    Conjunct melody
    A melody that is mostly stepwise without excessive changes in direction. Medieval melodies tended to be conjunct melodies in a range of less than an octave.
    Disjunct melody
    A melody that is characterized by its frequent changes in direction (angular) and by its wide leaps.
    Ecclesiastical Church Modes
    A scale used in medieval and Renaissance music. Influenced by Greek music theorists the medieval church modes include the Ionian, Dorian, Phrygian, Lydian, Mixolydian and Aeolian modes. (NOTE that I don’t expect you to memorize the names of the different church modes)
    Cantor
    In the Jewish and Catholic liturgies, a cantor is a soloist who sings parts of the liturgy. In Gregorian chant a cantor might sing part of the chant, followed by the choir.
    Antiphonary
    A book of liturgical chants used by the choir and congregation in Catholic churches of the middle ages. See page 189 for a photograph of a page from an antiphonary.
    Antiphonal chants
    Chant performed antiphonally, meaning first sung by a cantor, and then sung by the choir and the congregation.
    Liturgy
    from a Greek word meaning “public work.” Liturgy is public worship done by specific religious groups. The Roman Catholic Liturgy has its roots in the Jewish Liturgy and includes an order of service based on biblical texts and prayers. The Roman Catholic liturgy is called the Mass and is in Latin. Texts used are divided into Mass Ordinary and Mass Proper.
    Harmony
    Pitches heard simultaneously. Can be the result of simultaneous melodic lines, or chords accompanying a melody.
    Imitative counterpoint
    Imitative counterpoint is the creation of two or more independent melodic lines, with each entrance beginning with the same melodic shape at the same or a different pitch level.
    Humanism
    Philosophy important during the late middle ages and Renaissance that emphasizes human achievements and values human accomplishments
    Choral music
    A “choir” is a performing group where there is more than one person on a part. Mixed choirs will have both male and female singers. In the Renaissance period the music of the mass would have been performed publicly by monks with boys singing the upper parts. Women did perform music as part of the mass, but in general performed them privately in female monasteries and convents, as was the practice of the time.
    SATB
    Refers to Soprano – the higher female voice, Alto – the lowest range of the female voice, Tenor – the higher male voice, and Bass – the lower male voice. In Renaissance music the soprano and alto voices were typically sung by men and boys.
    Mass Ordinary
    The parts of the mass whose texts remain the same throughout the year. The five parts of the Mass Ordinary are the Kyrie, Gloria, Credo, Sanctus and Benedictus, and the Agnus Dei.
    Mass Proper
    The parts of the mass whose texts change according to the church calendar. For example, texts about the birth of Christ will be used during Christmas time.
    List the 5 Parts of the Mass Ordinary
    Kyrie (Lord Be With Us), Gloria (Glory to God in the Highest, Sanctus (Holy Holy Holy) and Benedictus (Blessing), and the Agnus Dei (Behold the Lamb of God)
    Cantus Firmus
    Literally means “fixed melody.” Renaissance composers used a fixed melody (a pre-existing melody, usually Gregorian chant), as the basis of their polyphonic compositions. They would compose another melody to accompany the cantus firmus, creating polyphony.
    homorhythmic
    homo=same; A texture in which each part plays or sings simultaneously in the same rhythm
    French chanson
    vocal chamber music with a secular text in French
    Viele
    a bowed instrument from the Renaissance period and a forerunner of the modern violin.
    List several Renaissance instruments of the woodwind family
    Recorder, shawm, crummhorn, cornett
    Keyboard instruments of the Renaissance period
    Harpsichord, clavichord, organ
    Consort
    Group of instruments from the same family, such as soprano, alto, tenor, and bass shawms. Renaissance instrumental music is typically performed in consorts, creating a homogeneous sound
    Ricercar
    Instrumental piece modeled after the vocal motet. Generally written for keyboards or for an instrumental ensemble
    Canzona
    Instrumental piece modeled after the madrigal of French chanson. Often entertaining and fast moving, metric and contrapuntal
    Name some titles of popular psalters used during the Reformation
    French Psalter (1562), the Scottish Psalter (1564) the Ainsworth Psalter (1612)
    Anthem
    The Anglican (Church of England) counterpart to the latin motet. “If Ye Love Me” by Thomas Tallis is an example of an anthem.
    Transcription
    An arrangement of an existing composition for different voices or instruments. “Jubilate Deo” is originally a vocal motet, but our listening example No. 52 is transcribed for brass instruments.

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    Chapter 9: Medieval and Renaissance. (2017, Aug 28). Retrieved from https://artscolumbia.org/chapter-9-medieval-and-renaissance-9376/

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