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Painting

Artscolumbia / Visual arts  / Painting

Painting is one of the main types of fine art; it is an artistic image of the objective world with colored paints on the surface.

Painting Types

· Easel painting is mostly represented by works done with oil paints on canvas (cardboard, wooden boards or bare). It represents the most massive type of art.

· Monumental painting is a technique of drawing on walls when decorating buildings and architectural elements in buildings. This technique of drawing has been well known since antiquity. Later, such a technique was used in the design of many Christian religious churches and their arches.

· Decorative painting is a way of drawing and applying images to objects and interior details, walls, furniture and other decorative objects. It refers to decorative and applied art.

Main Genres

During the development of the fine arts, several classical genres were formed, which acquired their own characteristics and rules.

1.  The portrait is a realistic image of a person in which the artist tries to achieve a resemblance to the original. This is one of the most popular genres. Most customers used the talent of artists to perpetuate their own image or, to get an image of another person. This genre includes a self-portrait. This is the image of the artist himself.

2.  The paysage is one of the most popular scenic genres in which the artist seeks to reflect nature, its beauty or feature. Different types of nature have a strong emotional impact on any viewer. The desire to get an emotional impression of the landscapes has made this genre one of the most popular in art creation.

3.  Architectural painting in many ways is similar to a paysage but has a key feature: the pictures depict landscapes with the participation of architectural objects, buildings or cities. A special direction is the street views of cities that convey the atmosphere of the place. Another direction is the image of the beauty of the architecture of a particular building, its appearance or image of its interiors.

4.  Historical painting is a direction in which the main plot of the pictures is a historical event or its interpretation by the artist.

5.  The battle pictures reflect scenes of wars and battles. The peculiarity is not only the desire to reflect the historical event, but also to convey to the viewer the emotional elevation of heroism.

6.  Still life is a genre with compositions of inanimate objects, using colors, products, utensils. This genre is one of the latest and formed in the Dutch school.

7.  Genre pictures characterized by the fact that the plot of the drawings is everyday scenes of everyday life or holidays, usually with the participation of ordinary people. Just like the still life, it spreads among artists of Holland in the 17th century.

8.  Marina is a view of the landscape, which depicts sea views, coastal landscapes overlooking the sea, sunrises and sunsets at sea, ships or even sea battles. It was particularly popular in Russia thanks to the work of Aivazovsky.

9.  Animalistic painting is the creation of realistic pictures depicting the beauty of animals and birds. One of the interesting features of this genre is the presence of pictures depicting non-existent or mythical animals.

Logo Write-up

s I had already decided on a name for my company, I decided that my company needed an emblem or a LOGO. This logo will be used as a letterhead and for marketing purposes, a symbol that will represent the company. I feel that a logo should either show the name of the company, or a company slogan and a picture that demonstrates the aim of the company. My company, Football Nation, is a sports company that sells Premier Division Football shirts. I feel that my logo must tell people what type of company it is, and the name of my company. My company is a sports company mainly appealing to the youth of the nation. The company name, Football Nation,...

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Venetian School: Titian

Titian (1477-1576) is the last of the quartet of the world’s painters; and as a painter pure and simple, in the matter of presenting nature, in his mastery of color, in his sure, strong brushwork, in his ability to keep a composition a unit, in fact, in all those things that go to make a purely pictorial effect, he probably stands at the head of them all. It is the dignity and grandeur of human existence that Titian presents to us. In Correggio was the life and joy and vivacity of nature; in Titian the grand, the magnificent, the sublimely sensuous. He builds «p masses and spaces and forms in his pictures that have the grandeur and power of nlountain...

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Venetian school: Giorgione

The Venetian School, which added the last great element—color—to Italian art, continued the impulse of the High Renaissance longer than did the other schools. Decadence set in less rapidly with them, and the last really great masters were Venetians. The art motive of Correggio was also that of the Venetians. With them it was truly art for art’s sake in the highest meaning of the word. Although a sensuous art, it was noble, stately and dignified. Nature to the Venetians rang with symphonic harmonies, and although the grandeur of line of the Florentines was not theirs, they built up vast and grand color harmonies that hold one with the power of a mighty orchestra. It is the Venetian love of...

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Milanese and Siennese school

Giulio Romano (1492-1546) was the strongest of Raphael’s pupils, and became the real founder of the Roman School, which directly influenced the painting of the Decadence. As long as he was under Raphael’s influence he painted so closely in his style that in many instances his work is almost like his master’s; but after Raphael's death he struck out for himself, and in his hands the refined strength and power of Raphael be- came exaggerated coarseness. He was a good draughtsman, but his forms are heavy and entirely lack the grace of Raphael. His color was dead and of a bricky tone, due, it is said, to his having been employed so much by Raphael for the dead-coloring of his pictures....

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The High Renaissance in Italy: painting

[caption id="attachment_6621" align="aligncenter" width="580"] CREATION OF MAN. MICHELANGELO[/caption] Florentine and Roman Schools: Da Vinci The art of a nation passes through very much the same development as that of an individual. There are the first crude efforts, and then the struggle with technical difficulties. The delirious pleasure of over coming the latter, then, very often makes one forget the end for the means, and one falls in love with the language itself rather than with the things to be expressed. Ever increasing power of observation and per ception also captivates, and the result is often mere transcription from nature. There is, however, in this stage a certain naive unconsciousness, a simplicity of thought, which is often lost in the maturity of effort....

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Madonna and Child Bramantino: The Falls of the Rhine

[caption id="attachment_6604" align="alignleft" width="266"] Madonna and Child Attributed to Bartolommeo Suardi, called Bramantino (about 1460 to about 1536)[/caption] A single picture acquired in 191 3 is anterior to the nineteenth century. It is a Madonna attributed to Bartolommeo Suardi, whose intimacy with Bramante and whose care to follow Bramante’s second manner gave him the surname of “ Bramantino," the ‘‘little Bramante." The Milanese School developed late, playing but a small part in the early Italian Renaissance. Nevertheless, it rapidly acquired distinction and exercised an influence upon French and Flemish artists almost as important as that of the Florentine School. The Museum of Fine Arts has possessed hitherto of this school only the “ Portrait of a Man,” by Andrea da Solario, acquired in...

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An Italian portrait of the Lombard school

A recent ccession of the Museum is a XVI century Italian portrait of the Lombard school, ascribed with a high degree of plausibility to the painter Gianpietrino ( Pietro Rizzo or Ricci), who flourished at Milan during the latter part of the XV century and the opening years of the XVI century. He was not only an imitator of the style of Leonardo da Vinci ; but was, with Boltraffio, Marco d'Oggionno, Salaino, Giovan Antonio Bazzi and Cassare da Sesto, a direct pupil of the master. The gentle smiling countenances of Gianpietrino's female heads are immediately recognized as reproductions of Leonardo's enigmatic smile as typified in the Mona Lisa. Of all the members of the Lombard school, Gianpietrino was perhaps...

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Sale of Mr. Woodburn’s Pictures

The late Mr. Woodburn was well known as a collector of paintings, and often employed in that capacity, both by English noblemen and gentlemen, and by the government. His collection of pictures, including works of the Italian, Flemish, Dutch, and German schools, was recently put up for sale by public auction. As might be expected from the position he occupied, many of them are productions of a high order, and the large sums for which they were sold showed the estimation in which they are held by connoisseurs. Of the Italian school, three were described as Rafiaelles, several as specimens of Leonardo da Vinci, and one as the work of Buonarotti. Doubts have been expressed as to the authenticity of...

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Memoirs of the Early Italian Painters by null Jameson

The first of these volumes comprises a selection from Mrs. Jameson's miscellaneous writings, and includes several of the best known and most pleasing of her minor productions. Among them are the three essays on The House of Titian, Washington Allston, and Adelaide Kemble, which were first published twelve or fifteen years ago, and were re printed, with other papers, in one of the volumes of Wiley and Putnam's Library of Choice Reading. There are also in the volume now on our table several short and characteristic tales, showing the versatility of Mrs. Jameson's powers, and a series of brief and suggestive Studies, chiefly on topics connected with German literature, taken from the Journal of her residence in Canada, published in...

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Early Italian Paintings: In the Metropolitan Museum of Art

AST autumn an interesting collection of Early Italian Paintings was lent by Mrs. L. F. Holden, of Ohio, to the Metropolitan Museum of Art. After be ing shown for some time as a special ex hibit the collection has been distributed, the several paintings being placed accord ing to their schools and epochs in the various galleries. Of this collection Mr. Bryson-Bur roughs, in the Bulletin of the Metropolitan Museum, has said: "Mrs. Holden's is an important col lection. In it are many pictures which, owing to the uncertainty of their-author ship and schools and the archeological points which they exemplify, appeal strongly to the prevailing taste for con noisseurship. There are paintings, also, of great rarity and beauty and some which...

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The Alleged Theft of the Mona Lisa

The story that the Mona Lisa has been stolen from the Louvre and a copy substituted in its place, is one of the most sensational which, so far as art matters are concerned, has ever made its way into print. If the Mona Lisa had been cut from its frame, and the astounded attendants at the museum had been con fronted with an empty space where the wonderful picture used to hang, it would have been not more incredible than some things of the kind that have happened. Everyone will remember the theft of the celebrated portrait of the Duchess of Devonshire, painted by Gainsborough. But this Mona Lisa story sounds extremely improbable. It emanates from a single Paris newspaper, and...

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Portrait of Mona Lisa by Leonardo Da Vinci

The logical Standard of Art Measurement for a sure evaluation of works of art is based: on rare examples of the highest manifestations of the Six Elements of Art Power. That is to say: The greatest work of art in the world is that one in which we see manifested: First: A Subject which is Socially the most beneficent, of interest to the greatest number of people, and the noblest in Conception. Second: In which the Expression: on the faces of tlhe figures, in the details, and in the work as a whole-expresses profoundly that which the work is supposed to express. Third: In which the Composition is the most sublime. Fourth: In which the Drawing of all forms is the most true and...

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The World’s Leading Painters: Leonardo da Vinci, Raphael, Titian, Rubens, Velasquez and Rembrandt

The choice of Mr. Rose as author of this volume of "The World's Leaders" was peculiarly appropriate. His easy style, his first-hand acquaintance with masterpieces of European paint ing, the vogue of his Renaissance Masters (first edition 1898), and his lifelong devotion to renaissance and post-renaissance art in all its forms mark him out as uniquely fitted to supply a volume that should be both suggestive and authoritative. This he has done and done with a charm of style, a fineness of appraisal, a wealth of stimulating contrast and analogy that are apt to make the reader overlook, or at least slight, the depth of the author's scholarship or the sheer intellectual ability that underlies every chapter of his book. An...

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Rembrandt, or the portrait as encounter

‘A good painter’, says Leonardo da Vinci, ‘is to paint two main things, namely man and the workings of man’s mind. The first is easy, the second difficult’. As portraiture came into its own during the Renaissance, it became accepted that a good likeness alone does not make a portrait. The able painter must convey, besides mood and affect, a sense of who the sitter is: their personality and, deeper still, the sense of what it is like to exist as this person. In other words, portraiture is a matter not just of aesthetic proficiency but also of moral and psychological attunement. But how does the painter step into the sitter’s subjectivity? How does s/he paint acknowledgement? It seems the artist...

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The Amazing Secret Paintings Of Frida Kahio

One of the grounds Frida becoirfe an of import creative person for me was because she used art to brightly show her life Wrof letdown and hurting. Fridas calling started a twosome of old ages after she had a bus accident in which she suffered serious injures to her leg and pelvic girdle. The accident left her infertile and caused her hurting. There are many pictures showing her feeling, understanding that she was non able to get the better of such hurting. This point of her life was the beginning other calling ; she began to paint her life. She spent many months in bed with out traveling because during the accident she broke her spinal column. She started to...

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The Artistry Of Indian Painting

Indian picture is one of the oldest humanistic disciplines in the universe from about the 3rd millenary BC to show period. The society the Indian picture reproduce peculiar spiritual, political and cultural developments. Indian art has its alone name in the history of humanistic disciplines. Indian art which has been challenged its phase from down to the top of winning the phase of doctrine under the ocular type in the history of Indian art. Indian art has challanging in the old ages in idea providing in the Indian creative person in the ground for the invention of the creative activities in the manner of ocular abstracts thoughts and the civilized thing in the land. Every faiths and the system giving its ain...

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Changing Attitudes To Sexuality On Fairy Painting

The 19th century was the clip when Britain experienced one of the most extremist and sudden period of alterations in history. Rapid industrialization and the enlargement of urban Centres brought the society a in-between category. Merchants and industrialists became the new of import art frequenters. It is frequently assumed that art in the 19th century illustrated bourgeois political orientation. Therefore in my essay I would wish to analyze the in-between category values and tenet of the clip, and how they later influenced modern-day art. I will besides be looking at the beginnings of the faery picture and the grounds behind the popularity of the genre, which was at its tallness in the old ages between 1840 and 1870. As we shall...

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Discovery Of The Lascaux Cave Painting

It is difficult to understand how the early people could paint on the cave ceiling, and the significance of the cave picture. The outgrowth of the cave picture has existed from the Old Stone Age until the early century A.D. ; moreover, there are 1000s of caves found by archeologists in different topographic points around the universe in different histories. Most of the cave picture has the similar type of painting that is largely about the hunting and animate beings. It was in the late twentieth century that the first decorated cave which is known as the most beautiful cave in Europe was found in France, and this cave art, called Lascaux cave picture, has contributed important surveies about the...

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Murals Wall Paintings And Frescoes

It is interesting to observe that people who are non inclined with a reverent passion for the humanistic disciplines would merely believe of it in superficial footings ( Goodyear, 1897 ) . They merely consider humanistic disciplines as something munificent, interesting, and delighting to the oculus. They believe that art pieces ( such as pictures, wall paintings, mosaics, sculptures, and others ) are something to be displayed on a outstanding country, depending on its Godhead. The tendency for these art pieces would be the more well-known the Godhead is, the better the location of the chef-d'oeuvre would be. For case, if the creative person would be person truly renowned as Leonardo district attorney Vinci, so the picture would be placed...

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How the Visual Arts Communicate

In the painting of Mona Lisa shows an ordinary women looking directly at you with her hands crossed and a tiny smile. From what I read about this portrait in these times the 1400’s to 1500’s women don’t normally look directly at you and the artist would normally cut off the women’s body to show a close up of the face. The point of this portrait was to make Mona Lisa look as naturally as possible and show that wealth was not important. Apart from the naturalism in the figure, the painting includes a background. If you look over her shoulder to the left side, you see a road that leads to distance, and mountains painted as background. On the right...

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Identifying Art Vocabulary

Study the above painting, Marizy Sainte-Genevieve, carefully. Based on your analysis, answer the following questions. Write your answers in the boxes provided below the questions. 1. What types of lines has the artist used in the painting? The artist used rough brush strokes to create organic shapes. 2. What are the positive shapes in the painting? I feel as though the positive shapes/main subjects in the painting are the houses on the side of the street. 3. What is the negative shape in the painting? The negative shapes include the trees and people farther down the road, in the background. 4. What is the vantage point in the painting? The vantage point is in the beginning of the street, before the buildings, because that’s the artists literal point...

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Favorite Painting by Picasso

Have you ever gone to the museum and glanced at paintings but had to do a double take because a painting grabbed your attention so strongly? This is what happened to me when I saw the painting by Pablo Picasso entitled Mother and Child 1901. This painting was done during what was called the Blue Period. “Picasso’s Blue Period was in 1900 and ended in 1904.” (unknown, Pablo Picasso's Blue Period 1901-1904, 2009) All of his paintings during this period were created in shades of blue and blue-green with other colors occasionally. Picasso had many paintings that had the same title but in different time periods. Paintings by Picasso brought out warm and loving feelings in my heart. This one...

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