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Dance Essays

Art Essay / Performing  / Dance Essays

Dance is a rhythmic, expressive gesture, usually arranged in a certain composition and performed with musical accompaniment. In this kind of art, the main means of creating an artistic image is the movements and positions of the body of the performer.

Dance art is one of the oldest manifestations of folk art. It is directly connected with music. Every nation has its own national traditions. On this basis, a stage fling was formed. Professional saltation, having reached high development, became the basis of European classical saltation, and systems of the countries of Asia and Africa.

Dance pas lead from the basic forms of human movements such as walking, running, jumping, bouncing, jumping, slipping, turning and rocking. The combination of such movements gradually turned into pas of traditional flings.

The main characteristics of the fling are the following.

  • Rhythm is a relatively fast or relatively slow repetition and variation of the basic movements;
  • A picture is a combination of movements in the composition;
  • dynamics is a variation in the scope and intensity of movements;
  • A technique is the degree of possession of the body and the skill in carrying out the basic pas and positions.

Communicative and Psychological Features of Fling

Dance is one the oldest arts. It reflects the need of a person, rising to the earliest times, to convey to others his joy or sorrow through his body. Almost all important events in the life of a primitive man such as birth, death, war, the election of a new leader, healing of the patient were marked by such rituals. They expressed prayers for rain, sunlight, fertility, protection, and forgiveness.  Mary Wingman first spoke of it as a communication. Now fling and communication are inseparable concepts, however, it has always been so.

If to look at saltations from the point of view of social psychology, this form of art contains a lot of important and valuable information about a person, his individual characteristics, and his interaction with the outside world. Individual characteristics of a person can be traced, in the manner of performance, in the presentation of the fling. This layer of information is perceived and evaluated at an unconscious level. In dance, openness to the outside world, extrovert attitudes in life, an aspiration to novelty is manifested.

My Dance Performace – Anointed for Agency

The Junior and Senior class of 2015, with the direction of Ms. Eubanks, superbly choreographed and performed Anointed for Agency. This ensemble reflected the emotions and expressions of anger and strife brought about their personal experiences with racial, gender, and class inequalities. Discrimination being an illness that has plagued every generation, including Dr. King's era during the civil rights movement, inspired the portrayal of the speech "How Long Not Long  set into interpretive movement. Sixteen count movement phrases reflected the emphases of free and bound movements performed in a modern dance style arranged to Bach Concerto in A Minor. Personal reflection of experiences and circumstances laced with discrimination, as a young Latina woman, allowed me to engage this piece with...

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Modern Dance

Twyla Tharp once said, “You have to be either hopelessly passionate, or very stupid. ” Vivacious, innovative and unique are a few of the words that come to mind when one thinks about the life and times of dancer, choreographer, and legend, Twyla Tharp. In her early life Twyla was constantly on the go. She was a busy child, who had a broad spectrum of dance experience. The author of Howling Near Heaven explains, “The oldest of four children, she had an ambitious mother who pushed her into improving studies from preschool age: piano, violin, viola, elocution, painting, German and French, baton twirling, and of course, dance lessons” (Siegel, 3). With an early life as busy as Twyla’s, there is no...

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History of the Flamenco Dance

Flamenco has been a form of art, passion, and rhythm for many centuries in the Spanish culture. Originating in Andalucia, this erotic dance has captured the traditional essence as legends get passed down through swift arm movements and smooth hip swaying. Through the years this special dance has transformed from a primitive, simple storytelling form to a sensual, complex dance style. Deriving from the gypsies, Moorish, Andalusians, and Jews, the Flamenco is extremely culture oriented. Due to all of these different cultures contributing to the dance, it has a very unique style and art form. Through provocative movements and swift arm gestures, the dancers of the Flamenco are able to tell a story passed down from generations. The importance of the...

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Dance Performance Review – Construct

“Construct,” by Tanja Liedtle, was a very passionate and expressive work. It explores a narrative of life, and the emotions felt within life experiences. When researching performance choices for this analysis, I was drawn to the overview of, “Construct,” from, "On the Boards TV," which states this performance as, “a tongue-in-cheek look at the act of making performance and the connection to building a home, a relationship and a life. ” As an artist, mother, and wife, this topic intrigued me immensely. I know first-hand the day to day juggle and battle to create a solid foundation for a future career, while also protecting, nurturing, and supporting, my family. I feel this performance really captured the emotional experience of everyday life,...

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Dance Concert Report

Performance Scavenger Hunt Part 4! 1. There were eight dances in Stardust, a dance concert choreographed by David Rousseve. The first dance was called “Nature Boy” and had no music, however there was text which was written by Eden Ahbez. “When I Fall in Love” was the title of the second dance. This dance was written by Victor Popular and Edward Heyman and the music is from Chappell and Co. , Inc. (ASCAP and Intersong-USA, Inc. The third dance was called “Sweet Lorraine” which had music from EMI Mills Music, Inc. “You Call it Madness (But I Call it Love) was the fourth dance. This dance had music from Edwin H. Morris & Company. The next dance was called “Ave Maria”...

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Alvin Ailey American Dance Theatre (AAADT)

During the time Alvin Ailey started the Alvin Ailey American Dance Theatre (AAADT) (1958), he lived in a heavily racist America. Ailey grew up in Texas with his single mother. At this time (1930's) Texas and America as a whole were places where "white was right  and segregation was at large. He moved from here at 12 to LA and then later New York at 18, where he began his Broadway career. Ailey had many influences within dance, such as influences from his training (Lester Horton, Martha Graham, Kathryn Dunham and Jack Cole); styles from each choreographer are shown within his work. In America in the 1950's, racism towards black/African American people had progressed for the better, however it was...

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African and Carribean Dance

Within African and Caribbean dance there are many similar stylistic features stemming from various places either being the background from where the dance evolved from or cultural significances. Within the essay there will be discussions about the movement language of the two styles. Cultural significance and the stylistic features of the dance will also be discussed. The two styles of dance from African that will be discussed are Muchongoyo and Kinka. Caribbean will be focussing on the Kumina and Dinkie-Minie. Originating from Congo in West Africa is the traditional ritual, Kumina. According to Carty, Kumina practitioners believe there are three ranks of spirits, this dance calls to the the Ancestral rank. The dance calls on the spirits to fulfil their wishes...

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Dance-Christianity

With the rise of Christianity throughout the first millennium, dramatic rituals developed for use during prayer. The Latin mass is the best-known of these rites. Originally dance movements were part of these pieces as well as music and a dramatic dialogue. By the Middle Ages these works moved from inside the churches to the out- of-doors. On church, squares cathedral porches, and marketplaces, miracle plays, and morality plays that taught the church"s lessons were enacted in a theatrical way. Rather than being part of the ritual, however, these pieces had become a form of entertainment. Dance was also observed in two other sorts of activity. In dramatic ritual games with dance movement the passing of the seasons was celebrated, even as...

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Gyrating Hips

Gyrating hips, fast feet, high stepping, and magnificent moves, are characteristics that belong to the great African-American dancers of history's past. Famu's Black Archives Museum has a vast collection of African-American artifacts including a variety of pictures of dazzling African-American dancers. These dancers Katherine Dunham, Martha Graham, and Bill "Bo jangles" Robinson exemplify black beauty, style, and grace. Katherine Dunham was born in Glen Ellyn, Illinois on June 22, 1909, to Albert and Fanny Dunham. Katherine was a great dance teacher. Later in her career she was able to get together her own dance company. In February 1940 the Katherine Dunham Dance Company opened at the Windsor Theatre, west 48th Street, with Dunham's own Tropics and Le Jazz Hot. The show...

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Breakdancing

Breakdancing a form of African American dance that emerged from the hip hop culture of the South Bronx, New York, during the mid-1970s. Drawing upon several African American dance forms, break dancing coalesced in the 1970s and reached its peak in popularity during the 1980s. Breakdancing developed out of the Bronx, New York, disco scene. When disco DJs changed records, dancers would fill the resulting musical breaks, or "breakbeats," with movements that emphasized the rupture in rhythmic continuity. These highly acrobatic interludes developed into a new genre that mixed Afrodiasporic dance styles, reflecting the influence of the lindy-hop, the Charleston, the cakewalk, and the jitterbug as well as the Afro-Brazilian martial-arts dance Capoeira and the antics of Kung Fu movies. Breakdancing included...

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Dance

The lights dim, the orchestra begins to warm up, the rustling of paper can be heard, and then the curtain rises. The performance begins with an overture, a prelude to what will happen. Suddenly, the star ballerina appears on stage. She is beautiful and the audience claps vigorously for her. At the end of the show, she receives flowers and massive amounts of applause. Every little girl in the audience wants to be the ballerina on stage that was just seen. How does a little girl fulfill her dream of becoming a professional ballerina? What are the steps she must take in order to be on a stage gaining recognition one day? First, a dancer must be classically trained. Normally dancers...

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Merce Cunningham Biography

In the age of conformity, Merce Cunningham has resisted the temptation to remain aligned with his peers. Cunningham has pioneered a new school of thought in dance, and has set the standard for future pioneers. He is passionate about what he does and it has been evident in his works as a dancer and a choreographer. Cunningham was born on April 16, 1919, in Centralia, Washington. At the age of twelve, Cunningham became interested in dance and started informal instruction. Upon graduation from high school, Cunningham began his formal dance instruction at the Cornish School of Fine and Applied Arts. After two years at the Cornish School, he studied at Mills College and at Bennington College; this is where he was...

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Capoiera

Capoeira is the common name for the group of African martial arts that came out of west Africa and were modified and mixed in Brazil. These original styles included weapons, grappling and striking as well as animal forms that became incorporated into different components and sub styles of the art. In 1500"s the Portuguese, led by explorer Pedro Alvares Cabral, arrived in Brazil. One of the first measures taken by the new arrivals was the conquering of the local population, the Brazilian Indians, in order to allow the Portuguese slave labor for sugarcane and cotton. The experience with the Indians was a failure. The Indians quickly died in captivity or fled to their nearby homes. The Portuguese then began to import...

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Dancing And Ballet

Most people dance to have fun or to entertain others, but dance can also be used for communication. Dancers express feelings of joy without saying a word. Since prehistoric times people have danced, and there are lots of kinds of dancing. There is folk dancing and religious dancing, popular dancing and theatrical dancing, to name a few. Out of all dancing, theatrical is probably the most entertaining. Theatrical dancing includes ballet, jazz, tap, and musical comedy. Theatrical dancers may take great personal satisfaction in creating something beautiful. However, their enjoyment is not as important as their ability to interpret the dance to the audience. All types of dancing require practice and technique, but probably none require as much as ballet. Ballet dancers...

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Dance and body Expression

The video Dance in the Real World expressed the details of dance and body expression. The video stated that sometimes the only way to get to know someone is to watch the way they express themselves through the detail of dance. This video showed many different cultures of dance. Native Americans traditions have suffered for 500 years. When the band was lifted from their dance. The Native Americans had many huge POW wows to keep their dance alive. The Hawaii Hula praised the ancestors, and fertility of the land. It was also band because it was thought to be immoral. It was keep secretly keep alive by a few families. Hula has keep Hawaii"s traditions through the years. They continue to dance....

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Thousands of Dancing Gay Men

Like everyone else here, I dance much of the night like a madman. I take off my shirt and make some “friends,” those people with whom you convince yourself you have a profound connection— until you realize it was “just the drugs.” —Michelangelo Signorile, “The Evangelical Church of the Circuit” Dance is powerful. It is a source of profound sensual, emotional, and spiritual pleasures for people from cultures around the world. At a certain level, people who dance for pleasure understand each other, in much the same way that people all understand what it is like to breathe. I am a dancing fool. I dance around my house. I dance in the shower. I dance in my car when I drive. Sometimes I dance when I write. I...

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