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Bauhaus

Artscolumbia / Art history  / Modern  / Bauhaus

Nonideological Modernism: Breslau Artists in the 1920s

Although Breslau’s artistic life coalesced around the Academy, the diverse per- sonalities and interests of Brcslau artists made the community truly significant. Looking back on his years in Breslau, the artist Alexander Camaro said. “On the one hand, we have truly lost this city (Breslau], on the other hand, it was an exceedingly fruitful cultural epoch and a spiritually liberal city. Not least, through the concentration, a fortunate combination of a circle of creative men. that seldom occurs.” Camaro implies that the cultural developments in Breslau were particular to the Weimar “epoch” and to Breslau itself. As Carl Lange realized, the situation in the East was a paradox. Breslau seemed isolated and remote, yet artists who went there discovered a...

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